NEWSLETTER #144
Second Time Around
The Beaumarks
->
Young Tradition
| CLIFTON CHENIER |
Arhoolie DVD 401 |
The King Of Zydeco |
● DVD $19.98 |
DVD, color, 13 tracks, 55 mins, essential
Wonderful
collection of live performances from the once and always King Of Zydeco.
Half the tracks were filmed at the 1982 San Francisco Blues Festival
featuring Clifton with a fine band including brother Cleveland on
washboard, son C.J. on tenor sax, guitarist Sherman Robertson and others.
There are several performances from the 1977 New Orleans Jazz & Heritage
Festival with his best ever band with Cleveland, tenor sax player John
Hart, keyboardist Buckwheat, guitarist Paul Senegal and more. There are
several tracks from Louisiana television including one show with the band
all wearing crowns! Interspersed with the music are interview segments
with Clifton talking about his music. The music is consistently superb and
gives a taste of just how much excitement Clifton could generate in a live
performance. Not to be missed. (FS)
LAWRENCE "BLACK" ARDOIN: Cofair/ CLIFTON CHENIER: Black
Gal./ Caledonia/ Calinda/ Cher Catin (dean Girl)/ Clifton's Zydeco/ I'm A
Hog For You/ I'm The Zydeco Man/ It's Christmas Time/ J'aime Pain De Mais
(i Love Cornbread)/ Let The Good Times Roll/ Louisiana Two Step/ Party
Down/ Tu Le Ton Son Ton (every Now And Then)/ DEWEY CORLEY: Fishing In The
Dark/ Tri-state Bus (*)/ PECK CURTIS: The Death Of Sonny Boy Williamson/
DO-BOY DIAMOND: Going Away Blues/ Hard Time Blues (*)/ Long Haired Doney/
The Shaggy Hound (*)/ ROBERT DIGGS: Dangerous Slim (*)/ Drink, Drink,
Drink/ Mississippi Goin' To Be My Home (*)/ ROSA LEE HILL: Pork & Beans/
WALTER MILLER: Stuttgart, Arkansas/ Vicksburg Blues (*)/ ROBERT NIGHTHAWK:
Blues Before Midnight (*)/ Clifton Chenier[tab]i'm On A Wonder/ Nighthawk
Boogie (*)/ Preston Frank's Swallow Band[tab]'tant Ne-ne/ You Call
Yourself A Cadillac (*) (carey Robert/ NAPOLEON STRICKLAND & THE COMO DRUM
BAND: Como Breakdown (*)/ Oh Baby/ TOM TURNER: Gonna Bring Her Right Back
Home/ TEDDY WILLIAMS: Catfish Blues (*)/ Down Home Blues/ JOHNNY WOODS &
FRED MCDOWELL: My Jack Don't Need No Water (*)/ Three O'clock In The
Morning
|
| EDDIE COCHRAN |
Bear Family DVD 20002 |
At Town Hall Party |
● DVD $31.98 |
Black & white, 8 songs, 30 mins, highly recommended
Thanks
to companies like Bear Family we are now able to hear some more great and
long forgotton moments in rock 'n roll history. This set features rock 'n'
roll pioneer Eddie Cochran live on the legendary Southern California based
TV show "Town Hall Party" in February 1959. Best known as an outlet for
country performers the show, on the air from 1953 and 1960, also featured
many great rock 'n' roll and rockabilly performers. Fortunately kinescopes
of a number of the original shows are preserved at the Country Music
Foundation which is the source of these priceless recording. Eddie is
accompanied by the excellent Dick D'Agostin & The Swingers. He does eight
songs including his most recent hit C'Mon Everybody (twice!),
Summertime Blues and several covers including great versions of Fats
Domino's Don't Blame It On Me and Chuck Berry's School Days
both of which he had not recorded elsewhere. Lots of great singing and
guitar playing from Eddie. There is also and interesting interview of
Eddie by Johnny Bond which is several cuts above most interviews of rock
'n roll performers. (FS)
EDDIE COCHRAN: Be Honest With Me/ C'mon Everybody (1)/
C'mon Everybody (2)/ Don't Blame It On Me/ Have I Told You Lately That I
Love You/ Money Honey/ Night Walk (instrumental By The Band)/ School Days/
Summertime Blues
|
| SAM COOKE |
Abkco DVD 1004 |
Legend |
● DVD $24.98 |
70 mins + 120 mins bonus, color & black & white, highly
recommended
Excellent biography of one of the great vocalists of the 50s
and 60s. Narrated by actor Jeffrey Wright it traces the history of this
brilliantly talented performers from his early years as a fledgling gospel
singer, his tenure as a lead singer for one of the greatest of all gospel
groups The Soul Stirrers and his move into secular music, first for small
labels and then to RCA, his work as a songwriter and producer and his
tragic and untimely death. It features some great vintage footage of Sam
performing on various TV shows along with interviews with his brothers and
sister and friends and musical associates like Aretha Franklin, Lou Rawls,
Lloyd Price, The Magnificent Montague and others. As bonus the DVD
includes an additional two hours of interviews which help fill out the
story. The documentary was written by Sam Cooke biographer Peter
Guralnick. (FS)
|
| TOM DOWD |
Palm Pictures 3077 |
Tom Dowd And The Language Of Music |
● DVD $24.98 |
90 mins, color, highly recommended
Tom Dowd lived an
extraordinary life, spending his teenage years as a chemistry whiz who
became a part of the Manhattan Project at age 16, then turning to record
engineering when national security prevented him from using what he'd
learned after the war. Nuclear warfare's loss is always humanity's gain,
but nevermoreso than with him. Dowd engineered scores of important
records, most of them for Atlantic Records, pioneered everything from
stereo to eight track and worked with Ray Charles, John Coltrane, Ornette
Coleman, Aretha Franklin, the Rascals, Eric Clapton, Lynyrd Skynyrd and
the Allman Brothers. The scene here of his reunion with Ray Charles is
extraordinarily powerful, but so's the one where he remixes Layla,
and the sequences where he works with an unknown new band spell out his
total commitment to mastering the language of music. You could call this
film hagiographic I guess, but all I know is that, over the better part of
four decades, I've never met anyone who disliked Tom Dowd or who didn't
marvel at his utter enthusiasm for music and musicians. Capturing that
spirit and energy is the film's real subject. (DM)
|
| MEMPHIS
SLIM & SONNY BOY WILLI |
Hip-O DVD 03135 |
AMSON: Live In Europe |
● DVD $18.98 |
Black & White, 60 minutes, essential
As with their
previous DVD releases, Experience Hendrix and Hip-O have again maintained
their high standards. Ten of these performances were done in Brussels in
1963 for a television show with a backdrop 'staged' to resemble a
nightclub. Memphis Slim is backed by Matt Murphy's riveting guitar and the
rock steady drumming of Bill Stepney and is superb doing The Blues Is
Everywhere/ All By Myself and Wish Me Well, among others. From
the same taping, Sonny Boy Williamson offers I'm A Lonely Man/ Keep It
To Yourself/ Your Funeral And My Trial, and a gripping solo rendition
of Bye Bye Bird. Slim also contributes Rockin' The House and
I'll Just Keep Singing The Blues from 1962 and '63 from AFBF
performances (although not issued previously). Sonny Boy also hands in
Who's Gonna Take Care Of You/ It's Raining Outdoors, and JFK Blues
(from a Swedish short film), and while he is remarkable, he was saddled
with two less than capable sidemen. Bonus footage includes Mae Mercer's
Careless Love plus Otis Spann from Newport in 1960 doing Boogie
Woogie Blues/ Slow Sweet Blues, and St. Louis Blues - supported
by James Cotton, Pat Hare, Andrew Stephenson, and Francis Clay. While the
quality of Spann's footage is less than pristine, the piano genius is in
brilliant form. Essential viewing for all blues aficionados. (CR)
|
| VARIOUS |
Shout Factory DVD 30179 |
Deep Blues |
● DVD $14.98 |
DVD, approximately 90 minutes, highly recommended
Amazingly, a dozen years have passed since this originally appeared on
video, and in that time we have witnessed the passing of many who took
part in the film; Booker T. Laury, Wade Walton, Frank Frost, Lonnie
Pitchford, Booba Barnes and others, including host, respected
musicologist, and guide Robert Palmer. Executive producer Dave Stewart
(better recognized as guitarist and counterpart to Annie Lennox in the
Eurythmics) joined Palmer for a compelling look at part of Mississippi's
blues scene by visiting performers R.L. Burnside, Jack Owens, Bud Spires,
Junior Kimbrough, and more. Kimbrough delivers a tough and trance-like
All Night Long at his own juke joint, R.L. Burnside at home doing
Long Haired Doney and Jumper On The Line, and Big Jack Johnson
rolling through Catfish Blues and the overly long Daddy When Is
Momma Coming Home. Palmer also visited Beale Street in Memphis, Lonnie
Pitchford playing diddley bow and slide guitar, and Jessie Mae Hemphill.
Bonus footage not in the original version consists of another performance
by Lonnie Pitchford as well an interview, R.L. Burnside and Dave Stewart
in a juke joint jam session, and additional coverage of Memphis pianist
Laury. There is also some bonus audio of the Jelly Roll Kings, Barnes,
Kimbrough, Burnside, and Pitchford. When originally issued, it stood as
remarkable film by director Robert Mugge documenting a living, breathing
tradition of blues. Today, it stands as a time capsule and stark reminder
of just how mortal and fleeting that tradition has become. (CR)
|
| VARIOUS |
Vestapol DVD 13049 |
Devil Got My Woman - Blues At Newport |
● DVD $23.98 |
14 songs, 60 mins, essential
Now on DVD. God almighty -
talk about a supersession! At the 1966 Newport Folk Festival Alan Lomax
recreated a Southern juke joint at the rooming house where several of the
musicians were staying and invited some of the bluesmen who were at that
years festival perform. The result is a series of loose, informal
performances that what they occasionally lack in technical prowess is more
than compensated by the atmosphere. We get to see some of the only footage
available of the unique Skip James performing three songs including his
most famous Devil Got My Woman. Bukka White shows that country
blues was not just for listening and a number of people get up and dance
to his irresistible rhythms including a tipsy Son House who later on goads
Howling Wolf while he is getting ready to perform his three songs with his
band. Son's own performance is a typically ferocious and moving Forever
On My Mind and the video includes three fine performances by the less
well known but excellent spiritual singer Rev. Pearly Brown. The camera
roves around among the performers and their friends and capture the spirit
of the occasion as a rare piece of "cinema verite" and the closest most of
will ever come to the juke joint experience. Buy two copies - one for
yourself and one as a present to someone who loves the blues - they'll
thank you for it. Truly priceless! (FS)
|
| GENE VINCENT |
Bear Family DVD 20003 |
At Town Hall Party |
● DVD $31.98 |
14 tracks, black & white, highly recommended
Gene is
featured on three shows - from October, 1958 with The Bluecaps and from
July and November, 1959 with Town Hall Party musicians. The first show
includes the expected Be-Bop-A-Lula plus High Blood Pressure/
Dance To The Bop and others including two not recorded elsewhere -
Hank Williams' You Win Again and Jerry Butler & The Impressions'
For Your Precious Love and Gene does a splendid job on them reminding
us what a superb and versatile singer he was. The Bluecaps are also in
great form with some hot guitar from Johnny Meeks. The Town Hall musicians
do a decent job accompanying Gene on Rocky Road Blues/ Be-Bop-A-Lula/
Over The Rainbow/ She She Little Sheila and others. (FS)
GENE VINCENT: Be-bop-a-lula (1)/ Be-bop-a-lula (2)/
Dance To The Bop/ For Your Precious Love/ High Blood Pressure/ High School
Confidential/ Over The Rainbow (1)/ Over The Rainbow (2)/ Pretty Pearly/
Rip It Up/ Rocky Road Blues/ Roll Over Beethoven/ She She Little Sheila/
You Win Again
|
| THE BEAU-MARKS |
Unidisc 2023 |
The Best Of The Beau-Marks |
● CD $13.98 |
The Beau-Marks were a popular 4 piece group out of
Montreal, Canada in the early 60's best known for their hit Clap Your
Hands which is featured here with rather muddy sound. This CD collects
18 of their ballads and rockers. Singer and piano player Joey Frechette
has a pleasant pop voice but doesn't add too much excitement to the
uptempo numbers. No worry though, because lead guitarist Ray Hutchinson
and crew carry the load on rockers like Little Miss Twist/ Rock And
Roll Has Got A Beat/ Rockin' Blues/ 'Cause We're In Love and others.
(AE/FS)
|
| JOHNNY & DORSEY
BURNETTE |
Hydra 27110 |
Rock & Roll Tonight |
● CD $21.98 |
Amazing collection of rare and unissued sides from these
talented brothers covering the period from 1956 up to shortly before
Johnny's death in 1964. Nearly all the tracks feature the two of them -
some with Johnny on lead vocals, some with Dorsey on lead. Included are
the Rock & Roll Trio's live performance on the Alan Freed Show in 1956,
their obscure Abbot sides from 1957 (a mix of rock 'n roll, pop &
country), a fine previously unissued demo recorded for Sun in 1957 by The
Rock & Roll Trio, their single issued on Hanover in 1957 as The Kids From
Texas, Dorsey's hot Cee-Jam single from 1957, their 1959 instrumental
session for Infinity issued as by The Texans, a previously unissued demo
session recorded in Los Angeles in 1959, a limited edition acetate issued
as a promotion for a friends party, a 1961 instrumental single for Gothic,
a previously unissued live version of Bony Moronie performed in
England by Johnny and later singles issued on Reprise, Sahara & Magic
Lamp. Set comes with 32 page booklet with extensive notes, photos and
other memorabilia and full discographical info.
|
| R.L. BURNSIDE |
Fat Possum 80365 |
The First Recordings |
● CD $15.98 |
14 tracks, 38 mins, highly recommended
Fabulous collection
featuring most of the recordings made by this brilliant Mississippi
bluesman for George Mitchell in 1968 - his first recordings featuring many
of the songs that would later become staples of his repertoire. Many of
these tracks have been out before on Arhoolie, Revival and Swingmaster but
it's really nice to have them all together including previously unissued
recordings. R.L's material draws on traditional blues, down home blues
recordings from the 50s as well as a few originals. He's a powerful and
expressive singer and his acoustic guitar playing is solid and his music
often generates a hypnotic groove that was to endear him to his many young
fans in later years. (FS)
|
| LEROY CARR |
Columbia 86989 |
Whiskey Is My Habit, Good Women Is All
Crave |
● CD $24.98 |
Two CDS, 40 tracks, highly recommended
Between 1928 and
his untimely death in 1935 singer/piano player Leroy Carr and his guitar
playing partner Scrapper Blackwell produced some of the finest and most
influential blues recordings of the era. Carr's beautiful melancholic
vocals and low key, but very effective piano work was perfectly
complemented by Blackwell's wonderful acerbic guitar style. This
collection features some of his most memorable and most covered songs as
well as lesser known titles including novelty songs and even the odd pop
ballad. Among the titles here are How Long, How Long Blues/ Prison
Bound Blues/ Sloppy Drunk Blues/ Midnight Hour Blues/ Mean Mistreater
Mama/ Hurry Down Sunshine/Blues Before Sunrise/ Motherless Child/
Barrelhouse Woman/ I Believe I'll Make A Change/ Bobo Stomp/ Hard Hearted
Papa/ Evil Hearted Woman/ Hustler's Blues/ You Got Me Grieving/ Suicide
Blues and many others. Sound quality is superb, frequently using
original metal parts and set comes with 12 page illustrated booklet with
discographical information and brief notes by Tom Piazza. But why only 40
tracks? They could easily have given us 10 more - Carr deserves no less!
(FS)
LEROY CARR: Barrelhouse Woman/ Big Four Blues/ Black
Wagon Blues/ Blues Before Sunrise/ Bobo Stomp/ Bread Baker/ Church House
Blues/ Corn Licker Blues/ Don't Start No Stuff/ Eleven Twenty-nine Blues/
Evil Hearted Woman/ Gambler's Blues/ Good Woman Blues/ Hard Hearted Papa/
How Long-how Long Blues/ Hurry Down Sunshine/ Hustler's Blues/ I Ain't Got
No Money Now/ I Believe I'll Make A Change/ It's Too Short/ Mean
Mistreater Mama/ Midnight Hour Blues/ Motherless Child/ Muddy Water/ My
Good For Nothin' Gal/ My Woman's Gone Wrong/ Papa's On The House Top/
Prison Bound Blues/ Shady Lane Blues/ Shinin' Pistol/ Six Cold Feet In The
Ground/ Sloppy Drunk Blues/ Southbound Blues/ Straight Alky Blues, Pt. 1/
Straight Alky Blues, Pt. 2/ Suicide Blues/ Take A Walk Around The Corner/
Tight Times Blues/ You Got Me Grieving/ You Left Me Crying
|
| THE CATS & THE
FIDDLE |
Dee-Jay Jamboree 55101 |
Killin' Jive - Complete Recordings, Vol. 1 |
● CD $18.98 |
First of two volumes presenting the complete recordings of
this fine and important group who specialised in the jive vocal style with
the occasional close harmony ballad and featured the distinctive
instrumental sound of tenor guitar, two tipples and string bass. This
volume, covering 1939 and '40 has 26 songs and includes their most famous
one I Miss You So which has been covered by dozens of groups and
solo vocalists as well as Gang Busters/ Nuts To You? Mister Rhythm Man/
That's On Jack, That's On/ Left With The Thought Of You/ Swing The Scales/
That's All I Mean To You/ Till The Day I Die/ Killer Diller Man From The
South.
|
| RAY CHARLES |
Atlantic (Germany) 73524 |
The Genius Sings The Blues |
● CD $11.98 |
12 tracks, 34 mins, essential
Straight reissue of Atlantic
8052 from 1961 in a handsome digipack format including insert with
original liner notes. Only a few of the tracks are straight 12 bar blues
but it's all full of blues spirit and suffused with Ray's incredible
gospel soul. Every track is a gem including the fantastic The Right
Time with great complementary vocal work from the Raelettes, his
wonderful hard driving treatment of Hank Snow's country classic I'm
Moving On, the incredibly intense I Believe To My Soul, a
beautiful solo vocal & piano treatment of Big Maceo's Worried Life
Blues (renamed Some Day Baby with Ray listed as composer) but
it's all wonderful. Magnificent from start to finish. (FS)
|
| RAY CHARLES |
Atlantic (Germany) 73525 |
Hallelujah I Love Her So |
● CD $11.98 |
14 tracks, 43 mins, essential
Another straight reissue of
one of Ray's classic Atlantic albums - this time Atlantic 8006 from 1962.
Fourteen tracks - every one of them a gem mostly drawn from his earlier
Atlantic sessions (1953 - 1955) and including a number of his early hits
including #1s I've Got A Woman and Drown In My Own Tears.
Four tracks are from a May 1953 session with a great band of studio
musicians featuring Sam Taylor on tenor and Mickey Baker on guitar which
include two of my all time favorites - a great version of Lowell Fulson's
Sinner's Paryer and the slow blues Losing Hand with truly
sublime guitar by Baker. The other sessions are with Ray's own larger
Orchestra. If you don't already ahve these tracks they are a must have.
(FS)
|
| SYLVESTER
COTTON/ ANDREW DUNHAM |
Ace CDCHD 869 |
Detroit Downhome Recordings, 1948-1949 |
● CD $18.98 |
25 tracks, 75 mins, highly recommended
Terrific collection
of down home blues recorded in Detroit in 1948 and 1949 for entrepreneur
Bernie Bessman who was responsible for recording John Lee Hooker's first
hits. Most of these tracks were not originally issued on 78 rpm - some
were subsequently issued on LPs on Kent and Krazy Kat and a number are
making their first appearance ever. Both artists are biographical
mysteries. Cotton was a fine singer, a limited but effective guitarist
playing a steel bodied guitar and a truly brilliant lyricist. Cotton's
songs were probably improvised on the spot and seem to deal with his own
personal experiences culminating in the brilliant I Tried where he
talks about his feelings about making a recording. Other remarkable songs
include Three Cent Stamp Blues/ Ugly Woman Blues/ Big Chested Mama
Blues/ Sak-Relation Blues/ Waitin' Blues and more. The five tracks by
Dunham are also pretty remarkable - he was a fine singer and played some
very anarchic and almost dissonant sounding guitar - his bizarre one chord
reworking of Kansas City Blues called She Don't Walk could
almost considered to be "punk blues". More of Dunham's work will be
appearing on a future Ace release - something well worth waiting for!
Sound qualiy is excellent and booklet has informative notes by Chris
Smith. (FS)
|
| DION |
Collectables 2797 |
New Masters |
● CD $14.98 |
18 tracks, 67 mins, highly recommended
Terrific 2003 album
from from one of New York's finest singers finds him to still be in great
voice - he sings with as much energy and soul as he did almost 50 years
ago. He is accompanied by solid band which strikes a perfect balance
between the simplicity of the past yet sounding up to date. The opening
track is a new original from Dion Behind Susan's Eyes, dedicated to
his wife, and is possibly the highlight here with fine lyrics and a catchy
melody line that brings to mind his earlier recordings. The next 16 tracks
are either remakes of some of his early hits (Ruby Baby/ Teenager In
Love/ Where Or When/ Donna The Prima Donna, etc) or covers of rock 'n'
roll and R&B hits (Blue Suede Shoes/ Stand By Me/ Runaway/ Blue Monday,
etc) and all sound really fine and not at all dated. The closing song
Heal This Land is another new composition - this time commenting on
the aftermath of Sept 11 in a sensitive and thoughtful manner. This CD is a
real gem. (FS)
|
| CLARENCE GARLOW |
La Cienega 701 |
Clarence Garlow |
● CD $18.98 |
24 tracks, 67 mins, highly recommended
A most welcome
compilation featuring 24 tracks by this fine Louisiana bluesman recorded
between 1949 and 1962. Clarence is best known for being the originator of
the song Bon Ton Roulet which is featured here in several different
variants. He was a fine vocalist with a dark expressive voice and a
sensational guitarist whose playing ranged from a relaxed T-Bone Walker/
Pee Wee Crayton style to a a hard edged distorted style. Arrangements are
varied ranging from a down home Excello feel with harmonica to hot little
bands with horns. A Louisiana feel permeates almost everything here so
it's a shame that they didn't include Clarence's zydeco single where he
plays accordion! Still, there's enough good stuff out there to put another
Garlow CD.It's all good with fine sound and brief discographical info but
no notes. (FS)
|
| THE GRIFFIN BROTHERS |
Acrobat ACRCD 209 |
Blues With A Beat |
● CD $10.98 |
23 tracks, 64 mins, highly recommended
Terrific collection
of jumping R&B and blues recorded in the early 50s by this outstanding
combo from the Washington D.C. area. This Buddy Johnson/ Louis Jordan
inspired outfit fronted two superb vocalists, Margie Day (heard here
singing her classic version of Little Red Rooster and her lowdown
I'm Gonna Jump In the River) and Tommy Brown who is thought to have
reinvented the crying blues on
Weepin' & Cryin'. The album includes several dynamite instrumentals
that'll rock your socks off! Excellent sound and informative notes by Dave
Penny. (FS)
THE GRIFFIN BROTHERS: Ace In The Hole/ Blues All Alone/
Blues With A Beat/ Comin'home/ Double Faced Deacon/ Griff's Boogie/ Hot
Pepper/ House Near The Railroad Track/ I Wanna Go Back/ I'll Get A Deal/
I'm Gonna Jump In The River/ It'd Surprise You/ Little Red Rooster/ One
Steady Baby/ Pretty Baby/ Sadie Green/ Shuffle Bug/ Stormy Night/ Stubborn
As A Mule/ The Clock Song (let Your Pendulum Swing)/ The Teaser/ Tra La
La/ Weepin' And Cryin'
|
| LIONEL HAMPTON |
Acrobat 4012 |
Jukebox Hits, 1943-1950 |
● CD $12.98 |
20 tracks, 65 min, essential
This survey covers tracks by
the great Hamp orch that landed in the new Black charts - The Harlem Hit
Parade & Hot R&B charts, along with a few that were regional hits.
Starting off with what is often called the 1st Rock'n'Roll record, the '42
Decca version of Flyin' Home with Illinois Jacquet on blazing
tenor, then followed by RCA Bluebird's re-release (& much more sedate) of
the original '40 version with swing vet Jerry Jerome on tenor. After a
one-off of Evil Gal Blues (which introduced Dinah Washington &
Arnett Cobb to the world) done for Keynote during the recording ban, Hamp
was solidly back on Decca with many of his hits being covers of R&B tunes
including Drinking Wine Spo-Dee-O-Dee/ Chicken Shack/ The Hucklebuck/
Blow Top Blues & Everybody's Somebody's Fool, with such greats
as Milt Buckner, Al Grey, Gene Morris, even Albert Ammons briefly on
piano, & vocals by Hamp, Betty "Bebop" Carter, Little Jimmy Scott & The
Hamptones. (GM)
|
| SLIM HARPO |
Hip-O 0583 |
The Excello Singles Anthology |
● CD $24.98 |
2 discs, 44 tracks, essential
Exactly what it says - both
A & B sides of Slim's 22 singles released on Excello, initially recorded
at Jay Miller's legendary studio in Crowley LA & sold to Ernie Young (of
the equally legendary Ernie's Record Mart) in Nashville for Excello. Later
tunes were cut directly for Excello in Nashville. With a lazy backing
rhythm, Slim had hits in a great swamp pop vein (I'm A King Bee/ Rainin'
In My Heart) & later with spoken lyrics (the classic Baby Scratch
My Back). All the singles are here, including all the attempts to cash
in on "King Bee" - Buzzin'/ Buzz Me Baby and Little Queen Bee.
There's also later hits - Tip On In Pts 1 & 2/ Ti-Ni-Nee-Ni-Nu, &
tunes that became better known when covered by rock bands( mostly British)
including I Got Love If You Want It (The Kinks) and Shake Your
Hips (Rolling Stones). Full recording info & detailed liner notes by
John Broven. (GM)
|
| ROSCOE HOLCOMB |
Smithsonian Folkways 40144 |
An Untamed Sense Of Control |
● CD $15.98 |
26 tracks, 74 mins, essential
Roscoe Holcomb is a wonder!
One of the greatest of all traditional singers his incredible high and
intense voice never fails to send shivers down my spine. He was also a
magnificent musician on the guitar and banjo and, as this collection
shows, he was also adept on fiddle and harmonica. This second collection
of his recordings (his first on Smithsonian Folkways 40104 is also
essential) is mostly drawn from his three Folkways albums issued between
1961 and 1972 but also includes some unissued tracks including several
from a 1973 live concert. Roscoe's repertoire embraced old time songs,
traditional ballads, blues, Baptist hymns, popular songs and more - all
performed with Roscoe's "untamed sense of control" as Bob Dylan so aptly
put it. Songs and tunes include Swanno Mountain/ Graveyard Blues/ Born
And Raised In Covington (an incredible unaccompanied vocal) Barbara
Allen Blues (an harmonica instrumental)/Rock Island Prison/ Combs
Hotel Burned Down/ The Hills Of Mexico/ Mississippi Heavy Water Blues/
Train That Carried My Girl From Town/ Milk Cow Blues (a blues banjo
instrumental!)/ Darling Corey/Sitting On Top Of The World/ Foggy
Mountain Top/ Fair Miss In The Garden and more. 24 page booklet has
beautiful photos and extensive and insightful notes from Roscoe's
discoverer John Cohen whose life was changed by Roscoe and his music - it
might very well ahve the same effect on you. (FS)
|
| HOMER & JETHRO |
B.A.C.M. 061 |
Unhappy Day |
● CD $13.98 |
The second volume on BACM by this popular duo features 24
tracks from the late 40s and early 50s and is almost exclusively devoted
to their parodies of popular and country favorites of the day along with a
couple of original novelty songs. Includes Baby It's Cold Outside/ Pore
Ol' Koo Liger/ Tennessee Border #2/ Unhappy Day/ You Tell her, I Stutter/
I'm Movin' On #2/ I'm Gettin' Older Every Day/ A Screwball's Love Song/ Oh
Babe/ Disc Jockey's Nightmae. Some of it is clever and some just dumb
but if you like this sort of thing then you might enjoy it. I find that a
little goes a long way.
HOMER & JETHRO: A Screwball‘s Love Song/ Alabama
Jubilee/ Baby It‘s Cold Outside/ Disc Jockey‘s Nightmare/ Does Your
Spearmint Lose Its Flavour/ Gambler‘s Git Box/ I‘m Gettin‘ Older Every
Day/ I‘m Moving On No. 2/ I‘m Walking Behind You-all/ Little Ole Kiss Of
Fire/ Mexican Joe/ Oh Babe/ Pizen Pete/ Pore Ol‘ Koo Liger/ Put That Knife
Away Nellie/ Settin‘ The Woods On Fire No. 2/ Slow Poke No. 2/ So Long
It‘s Been Good To Know You No. 2/ Sound Off No. 2 (duckworth Chant)/
Tennessee Border No. 2/ Too Young/ Unhappy Day/ When It‘s Tooth Pickin‘
Time In False Teeth Valley/ You Tell Her, I Stutter
|
| BILL MONROE |
Bear Family BCD 16399 |
Blue Moon Of Kentucky, 1936-1949 |
● CD $189.98 |
6 CDs, 176 tracks, essential
Despite what compilers of
nearly every post- "O Brother" reissue want you to believe, bluegrass
music starts here - or at least it does on Disc Three. This long-awaited
six-CD set gathers all of Bill Monroe's 1936-1949 sides, starting with the
Monroe Brothers' sixty Bluebirds, continuing into his 1940-41 Bluebird
sessions before moving into the groundbreaking Columbias. On the
celebrated Monroe Brothers Bluebirds, Bill's vocals are high, moaning and
clearly secondary to his older brother Charlie's leads. At the outset
Monroe mostly plays mandolin with a rapid tremolo, but on the 1937 track
Sinner You Better Get Ready elements of his trademark, bluesy style
begin to emerge. Muleskinner Blues, the initial song cut at the
Blue Grass Boys' first session, debuted Monroe's distinctive lead vocals
and timing, which set him apart from his contemporaries. The February 1945
Columbias show further development; Dave "Stringbean" Akeman plays a
two-finger banjo style and most important, fiddler Chubby Wise contributes
long, smooth bow strokes. Tempos are less manic, but Monroe's pulsating
rhythm fuels the band - even on slow and mid-tempo songs like Rocky
Road Blues, Kentucky Waltz, Goodbye Old Pal and Footprints in the
Snow. This collection includes a previously unknown, uncataloged track
from that session, I'll Have a New Life, plus ten alternate takes.
By years' end, lead singer/guitarist Lester Flatt, then Carolina banjo
stylist Earl Scruggs joined, modifying their styles to accommodate
Monroe's sense of rhythm. With fiddler Wise and bassist Howard Watts
playing all over their fingerboards, the 1946-48 Blue Grass Boys defined
bluegrass music. It recorded 28 masters for Columbia - all appear here
along with 22 alternate takes and 12 fascinating false starts, transferred
from the first-generation 16" lacquers. Virtually all these songs became
standards: Blue Moon of Kentucky, Why Did You Wander, Toy Heart,
Summertime Is Past and Gone, Will You Be Loving Another Man, It's Mighty
Dark to Travel, I'm Going Back to Old Kentucky, I Hear a Sweet Voice
Calling, Little Cabin Home on the Hill, Molly and Tenbrooks, When You Are
Lonely, Sweetheart You Done Me Wrong, My Rose of Old Kentucky, and
more. The eight gospel "Blue Grass Quartet" sides long defined perfection;
all but one also appear here in alternate versions. In 1948 the
irreplaceable Flatt and Scruggs left to form their own band. As Monroe
scrambled to find replacements, Columbia signed the sound-alike Stanley
Brothers. Angered by his label's actions, Monroe wrapped up his Columbia
obligations in October 1949, helming a truly remarkable band with Wise,
Mac Wiseman and another innovative banjo picker, Rudy Lyle. The band cut
two classics, Can't You Hear Me Calling and Traveling This
Lonesome Road. This set includes all four masters from that session,
plus eight alternate takes and two false starts. A hardcover book includes
in-depth notes by Charles Wolfe, a new discography by Neil Rosenberg and
extensive photos, many previously unpublished. Sure, you'll find cheaper
releases of most of this material, but remember, this is music you'll
treasure for the rest of your life. Sometimes it's worth springing the
money for a Godiva chocolate over a Hershey bar. (DS)
|
| JIMMY "T-99"
NELSON |
Ace CDCHD 976 |
Cry Hard Luck - The RPM And Kent
Recordings, 1951-1961 |
● CD $18.98 |
23 tracks, 63 mins, highly recommended
Fine collection of
sides recorded for RPM by Texas blues shouter Nelson, some with his
regular band The Peter Rabbit Trio and others with various studio line
ups. It includes his one minor hit - the classic T-99 - along with
other fine tracks like Cry Hard Luck/ Meet Me With Your Black Dress On/
Raindrop Blues/ Bad Habit Blues/ Sweetest Little Girl/ Fine Little Honey
Dripper , etc. A number of tracks were never issued on 78 rpm and were
first issued on Ace LPs in the 1980s and a couple have never been issued
before. As usual for Ace the sound quality is superb and the 12 page
booklet has iinformative notes by Tony Rounce plus vintage photos and
label shots. (FS)
|
| THE ORIOLES |
Acrobat 5000 |
1947-1955 |
● CD $13.98 |
2 CDs, 52 tracks, essential
As the 4 LP Murray Hill box is
long out of print and you may not want to spring for the six CD Bear
Family box, this is the way to go to get some great Orioles in your
collection. Featuring the great lead of Sonny Til, this set has all the
hit singles as well as some rare vault tracks that only came out on the
above box sets. The Orioles were one of the founding fathers of doo-wop &
did something rare in that genre - covered blues! Includes their versions
of Baby Please Don't Go/ CC Rider & Irene Goodnight, as well
as such gems as It's Too Soon To Know/ What Are You Doing New Years
Eve/ Barfly & of course Crying In The Chapel. Liner notes
limited to a brief bio of the band & letting you know the personnel & year
each song came out. (GM)
THE ORIOLES: (it's Gonna Be A) Lonely Christmas/ A Kiss
And A Rose/ A Scandal/ Baby Please Don't Go/ Bad Little Girl/ Barbra Lee/
Barfly/ Blame It On Yourself/ Crying In The Chapel/ Deacon Jones/ Don't
Cry Baby/ Don't Go To Strangers/ Don't Stop/ Every Dog-gone Time/ Fair
Exchange/ For All We Know/ Forgive And Forget/ Getting' Tired ,tired
,tired/ Goodnight Irene/ Happy Go Lucky Local Blues/ Hold Me ! Squeeze
Me!/ Hold Me Thrill Me Kiss Me/ How Blind Can You Be/ I Challenge Your
Kiss/ I Cover The Waterfront/ I Cross My Fingers/ I May Be Wrong/ I Miss
You So/ I Need You Baby/ I Need You So/ I Only Have Eyes For You/ I'd
Rather Have You Under The Moon/ If It's To Be/ In The Chapel In The
Moonlight/ In The Mission Of St. Augustine/ It Ain't Gonna Be Like That/
It's Too Soon To Know/ My Baby's Gonna Get It/ My Loved One/ No Other
Love/ Once In Awhile/ Pretty Pretty Rain/ Secret Love/ See See Rider/ Tell
Me So/ The Night Has Come/ The Robe Of Calvary/ Waiting/ Walking By The
River/ What Are You Doing New Years Eve/ Why Did You Go/ Would I Love
You(love You,love You)
|
| DEWEY PHILLIPS |
Memphis Archives 7016 |
Red Hot & Blue - Live Radio Broadcasts
From 1952-1964 |
● CD $12.98 |
59 mins, highly recommended
Available again. Reissue of Zu
Zazz 2012 with additional material. Absolutely hilarious madness from the
Memphis DJ who, according to Sun's Sam Phillips "... was responsible for
Elvis.". His "red Hot & Blue" show on WHBQ was the happening thing in 50s
Memphis blending R&B, blues, country, gospel and pop music into a mixture
seldom heard before or since. What really makes this a treat are the many,
many advertisements, station IDs, plugs and general nonesense interspersed
throughout the programs, all delivered in Dewey's unique downhome,
breathless, manic style. he talks a mile a minute, all the while doing his
homespun chracter impersonations when he's not making mincemeat out of his
sponsors commercials when he tries to read a page in 2 seconds! (AE)
|
| LLOYD PRICE |
Classics 5100 |
The Chronological Lloyd Price 1952-1953 |
● CD $14.98 |
25 tracks, 63 minutes, essential
Most people know Lloyd
Price from his great hit singles of the late `50s and early `60s, but not
as many know the wild Lloyd Price - R&B shouter extraordinaire and his
amazing run of singles on Specialty in the early `50s, his pre-draft
years. With the exception of Lawdy Mis Clawdy, you'll never hear
any of these tracks on even the best oldies stations. Thankfully, Classics
has put together 25 winners here-well, actually 24 solid winners and
Barnyard Rock, his first track, which is just a bit too goofy for me.
Price had the pedigree of being discovered by Dave Bartholomew with
accordingly Fats Domino tinkling the ivories on 5 of the early tracks on
this and Huey "Piano" Smith and other Crescent City luminaries throughout
the sessions. I am proud to place my first "Essential" rating next to this
gem. Liner notes and detailed recording info provided of the continued
quality associated with these Classics releases. (JM)
LLOYD PRICE: Ain't It a Shame/ Baby Don't Turn Your Back
on Me/ Barnyard Rock/ Carry Me Home/ Chee Koo Baby/ I'm Too Young/ If
Crying Was Murder/ Jimmie Lee/ Laurelle/ Lawdy Miss Clawdy/ Lloyd's Lament
(Old Echo Song)/ Lord, Lord, Amen!/ Mailman Blues/ Mailman Boogie/ Oo-Ee
Baby/ Oooh-Oooh-Oooh/ Operator/ Restless Heart/ So Long/ Tell Me, Pretty
Baby/ They Say/ Too Late for Tears/ Walkin' the Track/ What's the Matter
Now/ Where You At
|
| THE SONS OF THE
PIONEERS |
B.A.C.M. 078 |
Western Harmony & Hot Swing, Vol. 1 |
● CD $13.98 |
32 tracks, highly recommended
The Sons of the Pioneers
wasn't the first cowboy harmony ensemble, but was unquestionably the best.
While some prefer the original group with Len Slye, many consider the
1937-1942 lineup of Bob Nolan, Tim Spencer, Lloyd Perryman, Hugh and Karr
Farr, and Pat Brady to be the definitive Pioneers. Although it recorded
for Decca in 1941-42, this group's reputation largely rests upon 200+
titles preserved on 18 NBC Orthacoustic radio transcriptions ex-member
Slye produced under his new stage name, Roy Rogers. These 1940 ETs capture
the diversity of the band's repertoire and abilities: buoyant contemporary
cowboy songs (many penned by Nolan), minstrel-era tunes, sentimental
ballads, sacred numbers, traditional fiddle tunes and hot swing
instrumentals. At times their vocal arrangements are reminiscent of the
Boswell Sisters. Though some Orthas later appeared on LP, relatively few
titles migrated to compact disc. This collection and its companion volume
feature a balanced cross-section of the Pioneers' 1940 repertoire, with 28
songs and four Farr Brothers instrumentals. The compilers wisely chose
lesser-known material over the Pioneers' signature songs, which are
available elsewhere. As with other B.A.C.M. issues, the sound quality
varies but is generally good. Both volumes include Kevin Coffey's
thumbnail sketch of this remarkable band. (DS)
THE SONS OF THE PIONEERS: A Cowboy's Prayer/ Blue
Mountain Sweetheart/ Boggy Road To Texas (Instr.)/ Bon Ton Schottische
(Instr.)/ Cielito Lindo/ Cody Of The Pony Express/ Come And Get It/
Cottage In The Clouds/ Curly Joe From Idaho/ Get Along Pinto Pony/ Great
Big Taters In The Sandy Land (Instr.)/ I Belong To The Range/ Lone
Buckaroo/ Moonlight On The Trail/ No Good Son Of A Gun/ On The Rhythm
Range/ Ridin' On The Sunshine Trail/ Ridin' The Range With You/ Riding The
Rocky Range/ Rise And Shine/ Rocky Road In The Rockies/ Sally Goodin'
(Instr.)/ She's The Lily Of Hillbilly Valley/ Sunset On The Trail/ The
Quilting Party/ We Sat Beneath The Maple On The Hill/ What Wonderful Joy/
What You Gonna Say To Peter/ When A Cowboy Starts To Courtin'/ When The
Prairie Sun Says Good Morning/ Where The Rio Rolls Along/ Wonder Valley
|
| THE SONS OF THE
PIONEERS |
B.A.C.M. 079 |
Western Harmony & Hot Swing, Vol. 2 |
● CD $13.98 |
32 tracks, highly recommended
The companion volume to the
above, this collection devotes nearly a third of its tracks to
instrumentals spotlighting the Farr Brothers' amazing virtuosity. Though
fiddler Hugh Farr has often been compared to jazz violinist Joe Venuti, he
was actually a more fluid, swinging player - and could handle Texas fiddle
standards as well. His younger brother Karl was a deft soloist and rhythm
guitarist who switched from acoustic and electric as needed. As with the
previous volume, this set contains great solos and harmony singing from
Bob Nolan, Tim Spencer, Lloyd Perryman and the Farrs, plus comic numbers
from bassist Pat Brady. (DS)
THE SONS OF THE PIONEERS: Blue Eyed Little Nell of
Narraganset Bay/ Blue For You/ Climbing Up The Golden Stairs/ Close To
Heaven/ Comin' Through The Korn (Instr.)/ Crawdad Hole/ Don't You Wish You
Had Someone (Instr.)/ Dreamy Reverie (Instr.)/ Farr Into The Night/
Frankie And Johnnie (Instr.)/ Hill Country/ Hoppin' High (Instr.)/ I Ain't
A-Worryin'/ I Love The Prairie Country/ Jim Jam Jiggin' (Instr.)/ Li'l
Liza Jane/ Moonlight Melody/ More Fried Chicken, Uncle Joe? (Instr.)/
Shadows Of The Wildwood/ Silver Threads Among The Gold/ Someone Like You
(Instr.)/ Sweet And Low/ The Capital Ship/ The Gypsy's Warning/ They Drew
My Number/ Tom And Jerry (Instr.)/ Under The Willow She's Sleeping/ When
They Ring Those Golden Bells/ When We Get Old And Grey/ Where Is My
Wandering Boy Tonight/ Whistle And Wait For Katy/ You Don't Love Me But
I'll Always Care
|
| WILD JIMMY SPRUILL |
Night Train 7150 |
Scratch 'n Twist |
● CD $15.98 |
20 tracks, 57 mins, highly recommended
Firstly, the bad
news - this disc is too short - they should have put half a dozen more
tracks on it. Also, the lack of discographical info is shameful. Now the
good news - this disc features some of the hottest and wildest blues
guitar recorded in the 50s and early 60s. Jimmy Spruill was a staple of
many New York blues and R&B sessions in the 50s and 60s (he claims over
3,000!), mostly confined to the rhythm section, but when he took a solo -
watch out! His high pitched intense fretwork is a little like Ike Turner
at his wildest but without the whammy bar though his playing is far from
one dimensional as this collection admirably shows. His best known
performance is his stunning solo on Wilbert Harrison's hit Kansas City.
Half the tracks here feature him lending his guitar expertise to songs by
Little Danny, Walkin' Willie & His Orchestra, June Bateman and others. The
rest of the set is all instrumental and includes some stunning
performances including my all time favorite Hard Grind - a simple
tune that Jimmy turns into a masterpiece with his endlessly inventive
licks. Other fine instrumental tracks include Memphis/ Kansas City
March/ Cut & Dried/ Scratch 'n' Twist
|
| STEELEYE SPAN |
Park 70 |
They Call Her Babylon |
● CD $14.98 |
11 tracks, recommended
After a brief hiatus Maddy Prior is
back with Steeleye (hooray!). Guitarist Bob Johnson has left and has been
replaced by Ken Nicol who was formerly with The Albion Band and proves to
be a very good replacement giving the group a slightly different but very
effective sound. They are joined by ace fiddler Peter Knight, Maddy's
husband Rick Kemp on vocal and bass and Liam Genocky on drums. After 35
years the band still sounds fresh and exciting and Maddy's vocals are a
real joy. The songs substantially revamped versions of traditional
material, often with new tunes and changed lyrics including the very
grisly Child Owlet. (FS)
|
| THE SWAN SILVERTONES |
Charly SNAPCD 188 |
Move Up |
● CD $13.98 |
28 tracks, 78 mins, essential
A beautiful collection of
tracks recorded for Vee-Jay by this superb group, covering the period from
their first Vee-Jay session in 1956 through their last in 1964. Their
Vee-Jay recordings features leads by the magnificent high ethereal tenor
(and sometimes falsetto) Claude Jeter or the powerful baritone of Paul
Owens, Dewey Young or Louis Johnson. Jeter and his sweet falsetto have had
more than a little influence on countless soul acts, Al Green and The
Temptations among them. It is difficult to overstate his importance to
both soul and gospel. The material ranged from the classic harmony quartet
style of Sinner Man to the more intense style that influenced soul
music. This set features one magnificent performance after another ending
with their utterly sublime rendition of The Lord's Prayer - if this
doesn't send a chill down your spine you might want to see a chiropractor!
(FS)
THE SWAN SILVERTONES: A Lady Called Mother/ At The
Cross/ Bible Days/ Breathe On Me/ Come To Jesus/ Going On With Jesus/
Great Day In December/ He Saved My Soul/ I Thank You Lord/ I'll Be
Satisfied/ Jesus Is Alright With Me/ Jesus Remembers/ Leave Your Burden
There/ Love Lifted Me/ Move Somewhere/ Move Up/ Nobody But You/ Oh Mary,
Don't You Weep/ Savior Pass Me Not, Parts 1 & 2/ Singin' In My Soul/
Sinking Sand/ Sinner Man/ The Lord Is Coming/ The Lord’s Prayer/ Trouble
| |