NEWSLETTER #138
Country, Bluegrass & Old Timey
Bill Boyd's Cowboy Ramblers ->
Various Artists
| NOTE: Unless otherwise noted all
DVDs offered are in NTSC format which means that they will not play on a
European DVD players unless you have a multiple format player. |
| VARIOUS ARTISTS |
Immortal 940951 |
Singing Cowboys On The Silver Screen |
● DVD $15.98 |
35 film clips drawn from singing cowboy films featuring
performances from Roy Rogers (10 songs, Gene Autry (6), Roy Rogers & The
Sons Of The Sons Of The Pioneers (3), Tex Ritter (6 performances - one
with Bob Wills & The Texas Playboys), Eddie Dean (2), Roy Rogers & Dale
Evans (3), Sons Of The Pioneers (3) and Rex Allen (2).
|
| ELTON BRITT |
Jasmine 3565 |
Country Music's Yodelling Cowboy Crooner,
Volume One |
● CD $11.98 |
Varied 28 track collection of this popular performer
including solo tracks with guitar, tracks with various small groups, duets
with Rosalie Allen, cuts with The Skytoppers, The Beaver Valley Seethearts
and others. No information is provided on the dates of these recordings
but as far as I can tell they range from the late 30s to the early 50s. It
includes his big hit There's A Star Spangled Banner Waving Somewhere
plus I Hung My Head And Cried/ Why Did You Leave Me Alone/ Just Because
You're In Deep Elem/ Thanks For The Heartache/ One For The Wonder/ Maybe
I'll Cry Over You/ She Taught Me To Yodel/ Weep No More My Darlin'/ Too
Many Tears, etc. Excellent sound, informative notes by Paul Hazell and
very little duplication with other Britt reissues.
ELTON BRITT: Acres Of Diamonds (mountains Of Gold)/
Broken Wings/ Buddy Boy/ Close Your Eyes And Dream/ Cowpoke/ Darling I've
Loved Much Too Much/ Gotta Get Together With My Gal/ I Get The Blues When
It Rains/ I Hung My Head And Cried/ I'm All That's Left Of That Old
Quartett/ Just Because You're In Deep Elem/ Maybe I'll Cry Over You/ Merry
Maiden Polka/ One For The Wonder/ Put My Little Shoes Away/ Quicksilver/
She Taught Me To Yodel/ Thanks For The Heartache/ There's A Star Spangled
Banner Waving Somewhere/ They're Positively Wrong/ Too Many Tears/ Too
Tired To Care/ Weep No More My Darlin'/ Where Are You Now?/ Why Did You
Leave Me Alone?/ Will You Wait For Me Little Darlin'?/ You'll Be Sorry For
Now On
|
| THE CARLISLES |
Bear Family BCD 15980 |
Busy Body Boogie |
● CD $21.98 |
34 tracks, 76 minutes, highly recommended
For nearly a
half-century, Bill Carlisle jolted Grand Ole Opry audiences with his
aggressive, high-energy novelties. Though his recording career stretched
back to the early '30s, Carlisle wouldn't discover his true metier until
1951 when he formed "The Carlisles" with Martha Carson and his older
brother Cliff. Sounding like the Delmore Brothers on steroids, the
Knoxville-based trio was signed by Mercury and quickly notched its first
hit, Too Old to Cut the Mustard. Heart problems soon forced Cliff
Carlisle's departure, but Carson remained on deck for the Carlisles'
second hit, No Help Wanted, before departing for a solo gospel
career. The vocalists that followed were all subservient to the
hyperkinetic Carlisle, and more hits followed in the same mold, including
Knot Hole and Is Zat You, Myrtle?. This collection gathers
twenty-two of the Carlisles' barn-burning early Mercurys from 1951-56 (all
with hot Chet Atkins guitar leads), plus twelve RCA Victor, Mercury and
Columbia tracks from 1957-61, mostly with Hank Garland or Grady Martin.
Carlisle pulled songs from some unexpected sources; John Came Home
is actually Dave McCarn's Everyday Dirt, while Honey Love
closely parallels Clyde McPhatter and the Drifters' original R&B hit.
Sitting firmly between country boogies and nascent rockabilly, this is
relentless, rhythmic music that some listeners may be unable to absorb in
one sitting. The sound is first-rate with first-time stereo mixes on the
Columbias. Michael Gray's notes detail the Carlisles' glory years. (DS)
THE CARLISLES: A Mouse Been Messing Around/ Air Brakes/
Bessie Lou/ Busy Body Boogie/ Doggie Joe/ Down Boy/ Dumb Bunny/ Feet Don't
Fail Me (this Time/ Female Hercules/ Honey Love/ How Will I Know/ I Don't
Want To Run/ I Need A Little Help/ I'm Rough Stuff/ If You Don't Want It/
Is Zat You, Myrtle?/ John Came Home/ Knot Hole/ Ladder Of Love/ Love,
Love, Love (that's What It Is/ Money Tree/ Monkey Business/ New Liza Jane/
No Help Wanted/ Old Fashioned Love/ Rattlesnake Daddy/ Shake A Leg/
Something Different/ T'ain't Nice/ Tiny Space Man/ Too Old To Cut The
Mustard/ Uncle Bud/ Who's A-gonna Stop Me?/ Woman Driver
|
| THE CARTER SISTERS |
Country Routes 35 |
And Mother Maybelle With Chet Atkins |
● CD $16.98 |
39 tracks, 75 minutes, essential
Finally - a first-rate
collection of eight RadiOzark shows by one of the premier show bands from
country music radio's golden age! The Carter Sisters and Mother Maybelle
with Chet Atkins recorded more than three dozen, fifteen-minute open-ended
transcriptions about 1949 or 1950 that were sold to small Southern radio
stations. Spunky June Carter was the band's focal figure, singing many
leads and bantering with veteran announcer Joe Slattery. Younger sisters
Helen (playing accordion) and the angelic Anita (playing bass) also had
solo turns, while matriarch Maybelle was often spotlighted on a Carter
Family classic. Atkins delivers a dazzling guitar or fiddle solo on each
show plus an occasional vocal. The group's blend and range is impressive,
shifting from gospel and pop standards to contemporary country and western
hits and novelties. Its joyous, spontaneous music couldn't be further
removed from that of the original Carter Family, the comparatively few
commercial records the group did about this time or the lackluster sides
Maybelle and her daughters (not to mention Atkins) made through the 1960s.
Transfers were sourced from pristine 16" discs recorded late in the
series' run; the brief, uncredited liner notes offer little of value or
insight. (Slattery's participation confirms that these ETs were cut in
Springfield, Missouri - not Nashville as stated here.) Some themes and
superfluous chatter were deleted to create a more listenable disc. Truly a
wonderful, welcome release. (DS)
|
| CHARLIE POOLE &
OTHERS |
Columbia 92780 |
You Ain't Talkin' To Me |
● CD $38.98 |
Three discs, 72 tracks, 223 minutes, essential
At last,
here's Columbia's long-anticipated anthology of the great North Carolina
songster Charlie Poole. If you're an aficionado of late '20s string bands,
this set is essential. If you're a musicologist interested in how early
popular recordings impacted one traditional Southern musician, this set is
essential. If you've been waiting decades for the definitive,
comprehensive Poole boxed set, then sorry . this isn't it. Of the 76
surviving recordings Poole made as leader and sideman between 1925 and
1930, this collection gathers only 43. The remaining 29 cuts here are from
records the banjo player owned or likely learned his songs from; parallel
or cover versions by Poole's contemporaries; and cuts by performers that
Poole influenced. Compiler and annotator Henry "Hank" Sapoznik, an
old-time music enthusiast and respected Yiddish pop culture historian,
apparently intended to release all of Poole's works in the best possible
sound. Sony/BMG limited Sapoznik to three discs, enough space for Poole's
Columbia records as a leader, Posey Rorer's 1926 fiddle tunes and most -
if not all - of Poole's musically progressive sides for Brunswick and
Paramount. However, Sapoznik was determined to pursue a "roots and
influences" concept. As a result, we get two or even three versions of
certain songs, while beloved Poole numbers like My Gypsy Girl/ Leaving
Dear Old Ireland/ Goodbye Mary Dear, and Look Before You Leap
go missing. The 7" "cigar box" packaging with its R. Crumb artwork is
certainly eye-catching and likely helped garner reviews from NPR, Newsweek
and other mainstream media. But from a practical standpoint, it's as
annoying as Columbia-Legacy's 2003 Charlie Christian "guitar amp" package.
Veteran Poole fans will roll their eyes at Sony/BMG's marketing and
blatant historical revisionism. A sticker boldly states this set is the
"First Comprehensive Look at Charlie Poole and His Massive Impact on
Country Music." What bullshit! When Poole died in 1931, his charming,
ragtime-influenced style was already an anachronism. As with the Carter
Family, Poole's music would not be fully appreciated and embraced until
the '60s urban folk revival. A mock tax seal on the box edge cleverly
proclaims the singer as "Outlaw Country Since 1925" and invites browsers
to visit charliepooleonline.com, where you can join a mailing list and get
info on contests and Poole's tour dates. (Hey, dude, I'm there!)
Sapoznik's liner notes borrow heavily from Kinney Rorrer's definitive 1982
biography "Rambling Blues: The Life and Songs of Charlie Poole," though
with Rorrer's approval. Christopher King made beautiful disc transfers;
Andreas Meyer's restorative efforts even made the extremely rare,
notoriously noisy Paramounts miraculously shimmer. (One negative:
Columbia's lathes ran too fast on most of Poole's September 1926 sides,
and King - like others before him - failed to correct this speed problem.)
All things considered, this is a significant reissue. Sapoznik deserves
kudos for midwifing it through to completion, but I grieve for what it
could have been. (DS)
THE ALLEGHENY HIGHLANDERS: A Trip to New York, Part 1/
BIG CHIEF HENRY'S INDIAN STRING BAND: On the Banks Of the Kaney/ THE BLUE
RIDGE HIGHBALLERS: Don't Let Your Deal Go Down/ Going Down to Lynchburg
Town/ BRANCH & COLEMAN: Some One/ CARTER & YOUNG: I'll Roll in My Sweet
Baby's Arms/ ARTHUR COLLINS: Moving Day/ Oh! Didn't He Ramble/ DA COSTA
WOLTZ'S SOUTHERN BROADCASTERS: Take Me Back to the Sweet Sunny South/ CLAY
EVERHART & THE NORTH CAROLINA COOPER BOY: Standing By a Window/ THE FLOYD
COUNTY RAMBLERS: Sunny Tennessee/ THE GEORGIA CRACKERS: Coon from
Tennessee/ KELLY HARRELL: My Wife She Has Gone and Left Me/ THE
HIGHLANDERS: Flop-Eared Mule/ Lynchburg Town/ FRANK JENKINS: Home, Sweet
Home/ UNCLE DAVE MACON: Man That Rode the Mule Around the World/ Uncle
Dave's Beloved Solo/ SAM MOORE & CARL FREED: Dixie Medley/ EDDIE MORTON:
You Ain't Talking to Me/ BILLY MURRAY: Baby Rose/ Come Take a Trip in My
Airship/ BYRON PARKER & HIS MOUNTAINEERS: Married Life Blues/ CHARLIE
PARKER & MACK WOOLBRIGHT: The Man That Wrote Home Sweet Home Never Was a
Married Man/ RED PATTERSON'S PIEDMONT LOG ROLLERS: The Battleship of
Maine/ THE PEERLESS QUARTET: Goodbye Eliza Jane/ CHARLIE POOLE AND THE
NORTH CAROLINA RAMBLERS: A Kiss Waltz/ Baltimore Fire/ Bill Mason/ Budded
Rose/ Can I Sleep in Your Barn Tonight, Mister/ Coon from Tennessee/ Don't
Let Your Deal Go Down Blues/ Good-Bye Booze/ Good-Bye Sweet Liza Jane/ He
Rambled/ Hungry Hash House/ Husband and Wife Were Angry One Night/ I Once
Loved a Sailor/ I'm the Man That Rode the Mule 'Round the World/ If I
Lose, I Don't Care/ If the River Was Whiskey/ It's Moving Day/ Just Keep
Waiting Till the Good Time Comes/ Leaving Home/ Milwaukee Blues/ Monkey on
a String/ Mother's Last Farewell Kiss/ My Wife Went Away and Left Me/ Old
and Only in the Way/ Ramblin' Blues/ Shootin' Creek/ Southern Medley/
Sunset March/ Sweet Sixteen/ Sweet Sunny South/ Take a Drink on Me/ The
Girl I Left in Sunny Tennessee/ The Highwayman/ The Letter That Never
Came/ There'll Come a Time/ Took My Gal A-Walkin'/ Where the Whippoorwill
Is Whispering Good-Night/ White House Blues/ Write a Letter to My Mother/
You Ain't Talkin' to Me/ THE RED FOX CHASERS: May I Sleep in Your Barn
Tonight, Mister/ CAL STEWART: Monkey on a String/ GID TANNER & FATE
NORRIS: Goodbye Booze/ FRED VAN EPS: Dixie Medley/ The Infanta March/ DOCK
WALSH: Bulldog Down in Sunny Tennessee/ HENRY WHITTER, FISHER HENDLEY &
MARSHALL SMALL: Shuffle Feet, Shuffle
|
| FREDDIE HART |
Bear Family BCD 16727 |
Juke Joint Boogie |
● CD $21.98 |
Fine selection of 33 tracks recorded between 1953 and 1962
by this excellent singer and songwriter who is best known for his 1971 smooth
chart topper Easy Lovin and subsequent songs in a similar vein. A
selection of honky tonk, hillbilly boogie and a couple of rockabilly
numbers - many of them written by Freddie himself including his original
recording of Loose Talk subsequently a hit for Carl Smith. This set
includes half a dozen previously unissued cuts including the hillbilly
boogie title tune. Includes 36 page illustrated booklet with detailed
notes by Deke Dickerson, rare vintage photos and full discography of his
Columbi and Capitol recordings.
|
| HAWKSHAW HAWKINS |
B.A.C.M. 118 |
"Heavenly Road" & Other Country Classics |
● CD $13.98 |
24 tracks, 63 minutes, recommended
Hawkshaw Hawkins
deserves to be better known for being more a 1963 plane crash victim. A
charismatic baritone crooner, he helmed one of country music's most
dynamic touring ensembles in the years following World War II. If he isn't
held in the same esteem today as many of his contemporaries, his early
records - mostly for King - suggest why. Relying on outside songwriters,
he recorded mostly forgettable ditties patterned after other singer's
hits. Despite his considerable talents as a vocalist, Hawkins never
developed into a distinctive stylist. Many of the songs here sound like
uninspired Eddy Arnold or George Morgan knockoffs; some are imitative of
Ernest Tubb. Nor did Hawkins fare any better when he jumped to RCA Victor;
again, he was given material likely rejected by the label's 'A'-list
country acts. Sharp-eared listeners will recognize some of the
unidentified sidemen phoning it in. This collection largely covers 1946 to
1954; the sound is generally good, though some tracks were sourced from reverbed King LPs. Derek Taylor (not "the" Derek Taylor) penned a
thumbnail bio. (DS)
HAWKSHAW HAWKINS: All Because Of My Jealous Heart/ Betty
Lorraine/ Between The Lines/ Flashing Lights/ Heavenly Road/ I Can‘t Tell
My Broken Heart A Lie/ I Hope You‘re Crying Too/ I Wanna Hugged To Death
By You/ If You But Care/ It‘s Easy To Remember/ I‘ll Never Close My Heart
To You/ I‘ll Trade Yours For Mine/ Jealous Fate/ Life Lost It‘s Colour/
Memories Always Linger On/ Nothing More To Say/ One White Rose/ Picking
Sweethearts/ Tangled Heart/ That Mark Round My Finger/ Time Will Come/ Two
Roads/ When You Say Yes/ You Go Your Way I‘ll Go Mine
|
| THE HILL BILLIES |
B.A.C.M. 113 |
Volume 2 - It's Heaven To Me |
● CD $13.98 |
The second volume from this popular British quartet who
performed western flavored songs in the 30s with vocals, guitar, fiddle,
harmonica, banjo and accordion. In addition to American favorites this set
includes some originals plus Waltzing Matilda.
THE HILL BILLIES: Big Rock Candy Mountains/ Dying
Cowboy's Prayer/ Goodbye Bronco Bill, Goodbye/ Headin' Home/ Hobo's Spring
Song/ I'm Spending Christmas With The Old Folks/ It Makes No Difference
Now/ It's Heaven To Me/ Old Shep/ Pants My Pappy Gave To Me/ Pop Eyed
Pete/ Prairie Schooner, Ramble On/ Red River Valley/ Roll Along Covered
Wagon/ Rollin' Down The Hilly Billy Trail/ She'll Be Comin' Round The
Mountain/ Sundown In Peaceful Valley/ Take Ma Boots Off When Ah Die/
There's A Hole In The Old Oaken Bucket/ There's Gold In Them Thar Hills/
Under The Old Pine Tree/ Waltzing Matilda/ When The Moon Hangs High/
You're The Only Star In My Blue Heaven
|
| THE HILL BILLIES |
B.A.C.M. 114 |
Volume 3 - Ole Faithful |
● CD $13.98 |
The third volume includes the title song which was their
most popular number selling over 80,000 copies.
THE HILL BILLIES: Carry Me Back To Old Virginny/ Covered
Wagon Lullaby/ Cross Eyed Sue/ Daddy's Old Guitar/ Down In Old Santa Fe/
Give Me A Ride On Your Horse, Buddy/ Granny's Old Arm Chair/ Hillbilly
Love Song/ I'm Gonna Yodel My Way To Heaven/ Lay Me Down/ Memories Of The
Old Homestead Pt. 1/ Memories Of The Old Homestead Pt. 2/ Nobody's Darling
But Mine/ Ole Faithful/ Roll Along Prairie Moon/ That Silver Haired Daddy
Of Mine/ Twilight Yodeling Song/ Wheel Of The Wagon Is Broken/ When Mother
Nature Sings Her Lullaby/ When That Harvest Moon Is Shining/ When You Bury
Me Six Feet Deep/ With A Banjo On My Knee/ Yip Neddy/ Yodeling Cowboy
|
| WANDA JACKSON |
CMH 8708 |
Heart Trouble |
● CD $17.98 |
16 tracks, 48 min., good
For the Queen of Rockabilly, who
earned her crown with wildness and a certain lack of adherence to musical
orthodoxy, Jackson comes off here as a bit tame, despite the company of
Rosie Flores, Elvis Costello, The Cramps, The Cadillac Angels, Dave Alvin,
and others. That's not to say Jackson doesn't still have some orneriness
in her voice (e.g., Riot In Cellblock #9 or Hard Headed Woman),
or that she can't deliver the wistfulness necessary to bring off
Anytime You Wanna Fool Around convincingly. And certainly Heart
Trouble is a good album, but it's no use pretending that the sexagenarian
is 17 years old, as the song selection might indicate. Perhaps more
straight ahead country material and less rockabilly (where Jackson sounds
forced and wildness is not exuded) would have played to her strengths
better. (JC)
|
| CLARK KESSINGER |
Triagle Far 707 |
The Last Fiddle Album |
● CD $14.98 |
12 tracks, 22 minutes, good
Reissue of "Clark Kessinger
Memorial Album," Kanawha 327. One of the undeniably great recording
fiddlers of the late twenties, Clark Kessinger returned to performing in
1964 after two decades of painting houses. Unlike many aging, past-prime
rediscoveries, the West Virginian actually played with more drive and
vitality than he displayed on his old Brunswicks. This set primarily
showcases Kessinger playing in informal settings during the April 1968
Union Grove Fiddlers' Convention in North Carolina. Charlie Farout skimmed
the cream of these field recordings to assemble Kessinger's third Kanawha
LP (now available as "World Champion Fiddler," Tri Agle Far TR-701,
$14.98). When the fiddler died in 1975, Kanawha owner Ken Davidson culled
the remaining Farout tapes to produce this album, intending to use the
proceeds for a grave marker. Though Kessinger plays well here, this is
still third-tier "jam session" material that never would have been
released had the fiddler been alive. Supporting musicians are bluegrass
guitarist Gene Meade and future Lost and Found banjo picker Gene Parker.
All things considered, the sound quality is remarkably good, though this
transfer is obviously sourced from an LP. Bobby Taylor's notes stem from a
1997 reminiscence and offer nothing about the tunes or the original
sessions. If you're into old-time and bluegrass fiddle, try "The Legend of
Clark Kessinger," his breathtaking, high-energy 1966 debut, currently
available on County 2713 ($15.98). After nearly forty years, it still
packs an enormous punch. (DS)
CLARK KESSINGER: Alabama Jubilee/ Blackberry Blossom/
Chinese Breakdown/ Did You Ever See The Devil, Uncle Joe?/ Fisher's
Hornpipe/ Forked Deer/ Goodnight Waltz/ May I Sleep In Your Barn Tonight,
Mister?/ Old Joe Clark/ Soldier's Joy/ When I Grow Too Old To Dream/
Whistling Rufus
|
| JERRY LEE LEWIS |
BGO BGOCD 658 |
Country Songs For City Folk/ Memphis Beat |
● CD $17.98 |
Two mid 60s Smash LPs. The first LP is Jerry Lee's
interpretations of country hits like Green Green Grass Of Home/ Funny
How Time Slips Away/ The Wild Side Of Life/ Ring Of Fire/ King Of The Road,
etc. and the other is rock 'n' roll and rhythm & blues - Memphis Beat/
Drinkin' Wine Spo-Dee-O-Dee/ Just Beacuse/ Lincoln Limousine/ Big Boss Man,
etc.
|
| THE LILLY
BROTHERS & DON STOVER |
Smithsonian Folkways 40158 |
Bluegrass At The Roots |
● CD $15.98 |
Reissue of Folkways 2433 with two previously unissued
tracks. Wonderful old time singing and traditional bluegrass from this
superb duo. The first eight tracks features just the duo accompanying
themselves on guitar and mandolin in the style of earlier brother teams
like The Blue Sky Boys and The Monroe Brothers. On the remaining tracks
they are joined by Don Stover on banjo, Herb Hooven on fiddle or bass annd
occasionally Mike Seeger on bass on a wonderful selection of traditional
bluegrass.
|
| MAC AND BOB |
B.A.C.M. 116 |
Songs For Country Home Folks, Vol. 2 |
● CD $13.98 |
22 tracks, 64 minutes, highly recommended
A beloved,
highly successful close-harmony duet of the '20s and '30s, Lester
McFarland and Robert Gardner recorded dozens of sides for Brunswick and
ARC that have long eluded reissue. Accompanying themselves on guitar,
mandolin and sometimes harmonica, this Knoxville (later Chicago-based) duo
favored sentimental, sacred and morality tales of yesteryear, appealing to
older listeners who had little tolerance for the hotcha music of the Jazz
Age. Mac and Bob weren't reluctant to take on novelties like Women's
Suffrage, and their takes on familiar songs like The Girl I Loved
in Sunny Tennessee are often startlingly different. Their most
immediate disciples were Karl & Harty, Doc Hopkins, Gene Autry & Jimmie
Long, and the Blue Sky Boys. Mac Wiseman later drew upon their repertoire
for his early Dot sessions. Listening from a modern perspective, the duo
opens a window to country music's genesis in popular 19th century parlor
music. A worthy successor to B.A.C.M's first Mac and Bob set, ("Songs for
Country Home Folks, Vol. 1," B.A.C.M. 067, $13.98). Generally excellent
sound; brief notes by Brian Golbey. (DS)
MAC & BOB: A Picture No Artist Can Paint/ Birmingham
Jail/ Bright Sherman Valley/ Go And Leave Me If You Wish To/ I Heard My
Mother Call My Name In Prayer/ I Love You Best Of All/ I Wish I Had Died
In My Cradle/ I've Nothing To Live For Now/ Just A Kerosene Lamp/ Keep A
Light In Your Window Tonight/ Out In This Cold World/ Paint A Rose On The
Garden Wall/ Please Let Me Broadcast To Heaven/ Rocky Mountain Rose/ Songs
My Mother Used To Sing/ Sunny Tennessee/ Take Up Thy Cross And Follow Me/
The Orphan Boy/ Under The Old Sierra Moon/ Under The Old Umbrella/ When
The Candle Lights Are Gleaming/ Woman Suffrage
|
| THE MADDOX
BROTHERS AND ROSE |
King 0126 |
A Collection Of Standard Sacred Songs |
● CD $9.98 |
12 tracks, 31 mins, highly recommended
Previously on King
669. From an album first released in 1956, probably from 4-Star material,
the Maddox Bros. and Rose give these mostly traditional shout-style gospel
numbers their inimitible treatment. Their rawness and exuberance is toned
down very little here. Steel guitar and country harmonica are joined by
Fred Maddox's slap bass and wild mandolin to make some of the most raucous
gospel music you're ever likely to hear. Great stuff if this is what you
like- I love it. Songs include Tramp On The Street/ Farther Along/ I'll
Fly Away/ Dust On The Bible/ I'll Be No Stranger There, a.o. (RP)
|
| JIMMY MARTIN |
Music Mill 70053 |
This World Is Not My Home |
● CD $11.98 |
12 tracks, 32 tracks, essential
Reissue of Decca 73460
from 1963 featuring bluegrass gospel at it's very best. Jimmy (who
recently passed away) was one of the greatest of all bluegrass singer with
his beautiful and expressive high tenor voice. Like most of his Decca
recordings he is accompanied by superb musicians like Paul Williams/
mandolin, Bill Emerson or Paul Craft/ banjo, Joe Zinkan, Junior Huskey or
Lightnin' Chance/ bass and others who also provide tight vocal harmonies.
Although most of the composer credits are to Martin & Williams, many of
the songs are traditional or old favorites. Among the highlights are a
spellbinding version of one of my favorite songs Lord, I'm Coming Home,
the exquisite voice Of My Savior and the always topical God
Guide Our Leader's Hand but there's not a track here that's less than
superb. (FS)
|
| JIMMY MARTIN
& RALPH STANLEY |
Gusto 3002 |
First Time Together |
● CD $6.98 |
10 tracks, recommended
Previously on Hollywood 175. A
meeting of two great bluegrass musicians which could have been a classic
except that the twerps at King emphasized or added a metronome like rhythm
track that tends to overwhelm the rest of the music. If you can tune that
out (not easy) there is some fine singing and playing on songs like I'm
Going Down The Road/ Stone Walls & Steel Bars/ Footprints/ Darling Brown
Eyes and others including a terrific version of Don't Let Your
Sweet Love Die which is obviously from a different session with Ralph
absent. In addition to Ralph's fine banjo work there's also some excellent
fiddle playing (who?) and, of course, the glorious vocals of two great
bluegrass singers. (FS)
|
| GEORGE MORGAN |
ASV CDAJA 5496 |
Candy Kisses |
● CD $11.98 |
28 sides recorded between 1948 and 1952 by this smooth
voiced country singer whose style was much like that of Eddy Arnold though
he never went pop. Includes all his early hits like his 1949 #1 Candy
Kisses plus Rainbow In Heart/ Room Full Of Roses/ I Love Everything
About You/ Lover's Quarrel and others as well as no hits like All I
Need Is Some More Lovin'/ Why, In Heaven's Name?/ Somebody Robbed My
Beehive/ Tennessee Hillbilly Ghost/ Stranger In the Night/ Whistle My Love
and more.
|
| JOHNNY PAYCHECK |
Koch 9849 |
The Gospel Truth - The Complete Gospel
Sessions |
● CD $12.98 |
The first 15 tracks features the original "Gospeltime" LP
issued in 1966 featuring some fine honky tonk gospel with the outlaw doing
a mix of traditional and contemporary gospel songs accompanied by Lloyd
Green, Pete Wade, Buddy Spicher and other Little Darlin' house musicians.
The remaining eight tracks features eight of the same songs with strings
added plus vocals by The Jordanaires that were issued in 1978. Includes
I'm On My Way Home/ Every Minute I Want Jesus/ Almost Persuaded/ Just A
Closer Walk With Thee/ Old Time Religion/ The Old Rugged Cross, etc.
|
| JACKIE
PHELPS & JIMMIE RIDDLE |
Gusto 0556 |
Stars Of Hee Haw & The Grand Ole Opry |
● CD $7.98 |
12 tracks, highly recommended
A most enjoyable collection
featuring two fine musicians who first worked together in Roy Acuff's band
and worked again together on the TV Show "Hee Haw". Phelps is an
outstanding electric guitarist in the Merle Travis mould - he does six
numbers including a couple of pleasing vocals and is joined by harmonica
wizard Riddle on a couple of them along with a fine group including an
excellent steel guitarist. Riddle does some fine harmonica instrumentals
as well as a couple of vocals including the talking blues Huntin' Blues
which also features him doing some "eefing."
Most entertaining. (FS)
|
| RILEY PUCKETT |
B.A.C.M. 115 |
Gonna Raise A Ruckus Tonight |
● CD $13.98 |
22 tracks, 64 minutes, completists only
One of prewar
country music's most prolific recording artists, Riley Puckett was
featured on a half-dozen superb LP compilations during the '60s and '70s.
Outside of his work with the Skillet Lickers and sideman efforts with
various Atlanta-based fiddlers, Puckett's music has largely eluded reissue
on compact disc. As with B.A.C.M's first Puckett anthology, this set
largely avoids duplication with the tracks on those now highly collectable
LPs. For collectors, this is a plus. But it's disadvantageous to anyone
seeking a decent sampler of this blind singer/guitarist's finest moments
on record. Many tracks here amplify the guitarist's sporadic weaknesses,
breaking meter and playing wrong chords. Not surprisingly, this
compilation's best cuts have been reissued before; the magnificent
Rodgeresque Waiting for the Evening Mail
was the title track for
County's Puckett LP. Other previously reissued tracks feature Puckett
backing Skillet Lickers fiddlers Clayton McMichen and Lowe Stokes.
Puckett's vocal duets with McMichen are absolutely painful; Stan and Ollie
have nothing to fear from their The Trail of the Lonesome Pine. When Maple
Leaves Are Falling with its McMichen lead vocal could well be the worst
record in Columbia's 15000-D series. Sound is generally good, though B.A.C.M. failed to correct dragging speeds on the earliest sessions. Brian
Golbey provides a brief appreciation. (DS)
RILEY PUCKETT: Billy In The Low Ground/ Black Eyed
Susie/ Burglar Man/ Gonna Raise A Ruckus Tonight/ I Wish I Was A Single
Girl Again/ I Wish I Was Single Again/ I'm Drifting Back To Dreamland/ Ida
Red/ It's Simple To Flirt/ Jesse James/ Long Tongued Woman/ Sally Gooden/
Sleep Baby Sleep/ Somebody's Waiting For You/ Swanee River/ Tell Me/ The
Trail Of The Lonesome Pine/ Waiting For The Evening Mail/ We'll Sow
Righteous Seed For The Reaper/ When The Maple Leaves Are Falling/ Won't
You Come Over To My House/ You'll Never Miss Your Mother Til She's Gone
|
| JEANNIE C. RILEY |
Koch 9830 |
The Songs Of Jeannie C. Riley |
● CD $12.98 |
12 tracks, 30 min., recommended
Jeannie C. Riley, for
better or worse, is best remembered for her massive 1968 hit Harper
Valley P.T.A., but shortly before she cut that song, she was recording
for Aubrey Mayhew at Little Darlin' Records. After Riley's split with LD
and her hit with PTA, Mayhew leased the master tapes to Capitol Records.
Producer Kelso Herston filled out the sound with strings and dobro, and
this CD is a reissue of that Capital release. (Why not issue the original
recordings unadorned?) For all that, Riley's performances are generally
noteworthy and deserving of reissue, especially since these recordings
pre-date her commercial success. Riley sings a pair she penned (I'll Be
A Woman Of The World and How Can Anything So Right be So Wrong)
and a pair composed by Johnny Paycheck (before he wanted his job to be
shoved): You've Got Me Singing Nursery Rhymes and The Heart He
Kicks Around, among others. So what we've got here is another
Nashville album that clocks in at just under half an hour. But this one's
pretty good. (JC)
|
| ROY ROGERS |
Collector's Choice 1069 |
King Of The Singing Cowboys |
● CD $9.98 |
15 tracks from 40s radio transcriptions - Cowboy
Wedding/ Spell Of The Indian Magic/ I'm An Old Cowhand/ My Little
Buckaroo/ Cool Waters/ Yippi, Ki, Yi, Ya Buy A Bond Today, etc.
|
| OLIVER SMITH |
Triagle Far 702 |
Street Singer |
● CD $14.98 |
CD-R, 13 tracks, recommended
The booklet notes site
pioneering country music vocalist Riley Pucket as a primary stylistic
influence on Smith, and they do not lie. Smith recorded a pair of unissued
sides for Columbia in 1927 and decade later he and Allen Dyal cut 8 sides
for RCA's Bluebird label as Oliver and Allen. His next studio work came
years later when he waxed an LP for Elektra in 1966, apparently garnering
him a Grammy nomination. These sides come from a 1971 outing for Kanawha
Records of Jacksonville, Florida. This CD-R is presumably a reissue of
that record, although the booklet notes are unclear on the point. (They
say he still performs, but if that's true he'd be 95 years young, so one
suspects the notes are reprints from the '71 LP.) Recorded on a Nagra
recorder on loan from the Smithsonian, Smith is joined by Roy Jones on
lead guitar and Bob Patterson on 12 string. The song selection is straight
'20s and early '30s and includes Put My Little Shoes Away, East
Bound Train, and Silver In Your Hair. Smith possesses a strong,
expressive voice, and this set is a time warp on plastic--raw, old-time
country music that has an authenticity absent in much of today's country
recordings. What these performances lack in polish they make up for in
charm. An interesting find. (JC)
|
| SAMMI SMITH |
Acrobat ACRCD 237 |
Help Me Make It Through The Night - The
memorial Album |
● CD $10.98 |
25 songs recorded for Mega by this fine and uncompromising
country singer who worked on the fringes of the outlaw movement and had a
number 1 country hit with her version of Kris Kristofferson's Help Me
Make It Through The Night which also crossed over into the pop charts.
This songs is include here along with other songs by Kristofferson, Smith
herself and other fine writers. Includes He's Everywhere/ Sunday
Mornin' Comin' Down/ LOnely StreetBut You Know I Love You/ Then You Walk
In/ Girl In New Orleans/ The Toast Of 45/ Birmingham Mistake/ The Weight/
Mr. Bojangles, etc.
|
| RED SOVINE |
Ace CDCHD 1052 |
Honky Tonks, Truckers & Tears |
● CD $18.98 |
A collection of 24 songs recorded between 1961 and 1980 by
this popular performer - 21 of them hitting the country cahrts. Includes
honky tonk country, trucker songs and maudlin recitations - I Didn't
Jump The Fence/ Class of '49/ Little Rosa/ Phantom 309/ Giddy-Up Go/
Daddy/ The Days Of Me And You/ It'll Come Bear/ Teddy Bear, etc.
|
| THE STANLEY BROTHERS |
Rounder 1110 |
Earliest Recordings: The Complete
Rich-R-Tone 78s |
● CD $15.98 |
14 tracks, 35 minutes, highly recommended
If you're a
major fan of Carter and Ralph Stanley, chances are you have Revenant's
1997 CD reissue of the brothers' Rich-R-Tone sides. So do you need this
new Rounder edition? If that earlier issue is something you play often or
if the Revenant's fatiguing, overprocessed sound leaves you dissatisfied,
the answer is yes. Christopher King, who oversees County's superb old-time
reissue series, newly remastered these rare bluegrass landmarks from the
best available 78s. Sure, the sound remains somewhat thin, signal-to-noise
levels are high and sharp ears will detect a few slightly off-center
tracks. But King's transfers mark a significant improvement over all
previous issues. We'll probably never hear this music sound as clear and
true to the source material as it does here. Ten songs date from the
brothers' 1947-48 sessions; two showcase tenor singer/mandolinist Pee Wee
Lambert. After three years on Columbia, the Stanleys returned to
Rich-R-Tone in 1952, recording four songs that anticipated the classic
Mercury sides to follow. Like the Revenant issue, this release shuffles
songs from both Rich-R-Tone periods. Gary Reid's original notes reappear
here. New to the Stanleys? Try the Mercs, Columbias and earliest Kings and
Stardays first, then discover where it all began. (DS)
Also available and
essential Mercury 53402 The Complete Mercury Recordings (1953-58) (2-CD)
$21.98
Columbia CK 53798 The Complete Columbia Stanley Brothers (1949-52)
$11.98
King 615 The Stanley Brothers & The Clinch Mountain Boys (1958)
$10.98
THE STANLEY BROTHERS: Are You Waiting Just for Me?/
Death Is Only a Dream/ I Can Tell You the Time/ Little Birdie/ Little
Maggie/ Molly and Tenbrook/ Mother No Longer Awaits Me at Home/ Our
Darling's Gone/ The Girl Behind the Bar/ The Jealous Lover/ The Little
Girl and the Dreadful Snake/ The Little Glass of Wine (1947)/ The Little
Glass of Wine (1952)/ The Rambler's Blues
|
| CARL
STORY & HIS RAMBLING MOUNTAINEERS |
Starday 580 |
Mighty Close To Heaven |
● CD $9.98 |
12 tracks, recommended
Reissue of Starday 219. Carl Story
is one of the giants of bluegrass gospel and this is a splendid collection
of 12 songs from the early 60s on which Carl's distinctive vocals are
joined by William Brewster/ 5 string banjo, Franklin Brewster/ mandolin,
Tommy Jackson/ fiddle, Claude Boone/ bass & harmony vocals and Jack Linneman on dobro. Songs include Amazing Grace/ Row Us Over the Tide/
Rank Stranger/ Follow Him/ I'll Need The Prayers Of Those I Love/ Mighty
Close To Heaven, etc. (FS)
|
| MEL STREET |
TeeVee 0728 |
20 Greatest Hits |
● CD $11.98 |
20 tracks, 58 minutes, essential
The late Mel Street never
seemed to hit the big time even though he scored a number of top 20 hits.
Maybe he didn't fit in with the rhinestone cowboys and countrypolitan
crooners in the 70's. If you aren't too familiar with Street let me tell
you, the West Virginia boy could really sing! His style is firmly in the
honky tonkin' style of George Jones and early Conway Twitty and there are
at least a dozen tunes here that stand right up there with the best of 'em.
The passion and conviction he brought to songs of cheating and lost love
seemed to reflect an inner turmoil that may have led to his early death by
suicide on his 45th birthday in 1978. This set includes classic songs like
Borrowed Angel/ Lovin' On Back Streets/ I met A Friend Of Yours Today/
Lovin' On Borrowed Time/ Looking Out My Window Through The Pain/ Even If I
Have To Steal/ Town Where You Live/ Lust Affair and others including
the powerful Forbidden Angel whose subject is not often covered in
country songs. There are also great covers of country standards like Am
I That Easy To Forget and Don't Be Angry. Mel deserves the
deluxe Bear Family treatment but in the meantime this great no frills
package delivers the goods. (AE/ FS)
|
| HANK
THOMPSON & HIS BRAZOS VALLEY BOYS |
Acrobat 4032 |
Swing Wide Your Gate Of Love |
● CD $13.98 |
25 tracks, 63 minutes, essential In the years following
World War II, Hank Thompson was one of country and western music's biggest
hitmakers. Thompson's records delivered a distinctively Texan honky-tonk
style with more than a passing debt to western swing. His warm, engaging
baritone and sharply crafted arrangements grabbed as many nickels in
Southeastern juke joints as they did in his home state, not to mention
Louisiana, Oklahoma, California and points in-between. Thompson cut more
than 300 sides for Capitol between 1947 and 1964, maintaining his
signature sound until almost the end. While most vintage Thompson
collections span his entire Capitol period, this collection strictly
focuses on his fresh, youthful 1947-54 sides. Among the hits: Humpty
Dumpty Heart/ Whoa Sailor/ The Wild Side of Life/ Wake Up Irene/
Rub-a-Dub-Dub, and Waiting in the Lobby of Your Heart. Though
hit-driven Thompson anthologies arguably sound a little "samey" - after
all, these songs were intended to be absorbed in two- to three-minute
doses - this set offers considerable variety. Another plus: exceptional
sound quality. Acrobat - a British company that could have made
copyright-free needle drops like those bottom-feeders Proper and JSP do -
actually licensed Thompson's master recordings from Capitol/EMI. Dave
Penny penned a brief liner, crediting his debt to Rich Kienzle's notes for
Bear Family's comprehensive 12-CD Thompson box (Bear Family BCD 15904,
$259.98). Some gaffes appear: Thompson didn't write every song he's
credited with here, and some release years are wrong. Nevertheless, the
music is great. This disc makes a superb launching point for anyone
interested in exploring Thompson's seminal work. (DS)
HANK THOMPSON: A Broken Heart and a Glass of Beer/
California Women/ Don't Flirt with Me/ Give a Little, Take a Little/
Humpty Dumpty Heart/ I Find You Cheatin' on Me/ My Front Door Is Open/ My
Heart Is a Jigsaw Puzzle/ New Roving Gambler/ No Help Wanted/ Rock in the
Ocean/ Rub-a-Dub-Dub/ Soft Lips/ Swing Wide Your Gate of Love/ Take a Look
at This Broken Heart/ The Grass Looks Greener Over Yonder/ The New Wears
Off Too Fast/ The Wild Side of Life/ Today/ Tomorrow Night/ Waiting in the
Lobby of Your Heart/ Wake Up Irene/ Whoa Sailor/ You Broke My Heart (In
Little Bitty Pieces)/ You're Walking on My Heart
|
| VARIOUS ARTISTS |
Castle Pulse 597 |
Live From The Grand Ole Opry |
● CD $13.98 |
Two CD set with 32 performances recorded live at the Grand
Ole Opry in the 40s and 50s. Although sound quality is a bit dodgy there
are some great performances from Marty Robbins (2 songs), Hank Snow (3),
Ernest Tubb (3), Hank Williams (3), Porter Wagoner (2), Roy Acuff (1),
Jean Shepard (1), Red Foley (2), Faron Young (3), Ray Price (2), Little
Jimmy Dickens (1), Hawkshaw Hawkins (3), Flatt & Scruggs (1), Tex Ritter
(1), Cowboy Copas (1), Tex Williams (1), Justin Tubb (1) and Margie Bowes
(1). No notes of any consequence.
|
| VARIOUS ARTISTS |
Cattle 307 |
The Goden Age Of Country Music 1 |
● CD $18.98 |
The first of four compilations, this volume features 12
tracks by hillbilly singer and fiddler Shorty Long from Pennsylvania, four
songs by the fine duo The Webster Brothers and 10 tracks from West
Virginia singer Buddy Starcher - the latter mostly with just his own
guitar accompaniment.
SHORTY LONG: After All These Years/ Air Mail Special On
The Fly/ Blinding Tears/ Calm, Cool And Collected/ Foolish Pride/ Good
Night Cincinnati, Good Morning Tennessee/ I Got Nine Little Kisses/ I Love
You So Much It Hurts/ Just Like A Few Drops Of Water/ Mama/ Sweeter Than
The Flowers/ Who Said That I Said That/ BUDDY STARCHER: Are You Facing The
World All Alone?/ Beyond The Sunset/ I Planted A Rose (in The Garden Of
Prayer)/ I'll Forgive, Dear, But Never Forget/ Isn't He Wonderful?/ My Old
Pal Of Yesterday/ New Wildwood Flower/ Oh Leave One Token Of Your Love/
The Colored Child's Funeral/ Walk Lightly, You're Steppin' On My Heart/
THE WEBSTER BROTHERS: Glory Mountain/ It's All Left Up To You/ The Great
Eternal Singing/ Till The End Of The World Rolls 'round
|
| VARIOUS ARTISTS |
Cattle 308 |
The Goden Age Of Country Music 2 |
● CD $18.98 |
This volume includes 12 tracks from 1952/53 by western
swing group Curley Daulton with Johnny Daulton's Western Swing Kings, 8
tracks from blind hillbilly singer and songwriter Leroy Jenkins and four
tracks bye Joe & Rose Lee Maphis from 1953 and '54.
CURLY DAULTON: A Crushed Red Rose (and A Faded Blue
Ribbon)/ A Little At A Time/ All My Life I've Dreamed/ Between Midnight
And Dawn/ Blue Hearts And Broken Vows/ Cryin' Again/ I Didn't Mean To Be
Mean/ I Traded An Angel For A Devil/ I'm Steppin' Out With A Broken Heart/
Just Another Nickel Wasted/ Please Leave Me Alone/ Please Set Me Free/
LEROY JENKINS: Don't Be A Home Breaker/ Hard Time Hard Luck Blues/ I Just
Don't Know/ I'm Crying But Nobody Cares/ Please Don't Tell Me That You
Love Me/ Tennessee Sunshine/ Time Passes By/ You're Talking To A Broken
Heart/ JOE & ROSE LEE MAPHIS: Black Mountain Rag/ Dim Lights, Thick Smoke/
Quicksand/ ROSE LEE MAPHIS: Honky Tonk Love Affair
|
| VARIOUS ARTISTS |
Cattle 309 |
The Goden Age Of Country Music 3 |
● CD $18.98 |
This volume features 12 tracks from the early 50s by
Louisiana performer Lou Millet, 8 tracks by Zeke Williams with The
Rambling Cowboys from 1937 and four from 1936 by Cody Fox.
CODY FOX: I Only Want A Buddy, Not A Sweetheart/ I'm
Looking Over A Four Leaf Clover/ Kansas City Kitty./ | |