|
COUNTRY,
BLUEGRASS & OLD-TIMEY
Bill
Monroe -> Heather Myles
| BILL MONROE |
Bear Family BCD 15423 |
Blue Moon Of Kentucky |
● CD $84.98 |
This four CD compilation is the bluegrass fanatic's dream.
This is the complete Bill Monroe discography from the time he joined Decca
(now MCA) in 1950 until 1958, 109 selections in all, including three
selections never released commercially, all in pristine sound and with a
detailed 65 page booklet by bluegrass authorities Charles Wolfe and Neil
Rosenberg. Included in the booklet is a detailed discography listing all
U.S. 45, 78, Ep, and Lp release information from the period, (and what a
period it was), along with detailed session personnel listings. The
classic Flatt-Scruggs-Chubby Wise band had by now disbanded, and Monroe
had left Columbia for Decca, but his influence on the music he had
fathered was far from over. If anything, the period covered here had
consequences as far reaching in the history of bluegrass as the previous
eras, for it was at this time that the Bluegrass Boys became the training
grounds for such future greats as Jimmy Martin, Vassar Clements, Sonny
Osborne, Bobby Hicks, Kenny Baker, and countless others, including such
unheralded geniuses as fiddler Red Taylor, banjoist Don Stover, and
fiddler Tex Logan. Also included here are the only five selections Carter
Stanley recorded with the Bluegrass Boys, including the magnificent Get
Down On Your Knees And Pray. There is also the Bluegrass Boy-less
session run by Owen Bradley in an attempt to "modernize"
Monroe's sound, as well as the eight sides cut in an abortive way to
record a Jimmy Rodgers tribute album. Also included here are the original
recordings of such classics as Wheel Hoss/Roanoke/Uncle Pen/You'll Find
Her Name Written There/Scotland Big Mon/Rawhide, and countless others.
In addition, this collection illustrates fully how Monroe's music changed
to fit the talents and needs of the many musicians who passed through the
band during this fertile period. A great buy, the perfect Christmas
present for the bluegrass fanatic, and quite a monument to the man who
just celebrated his fiftieth year on the Grand Old Opry recently. (RP)
|
| BILL MONROE |
Bear Family BCD 15529 |
Bluegrass, 1959-1969 |
● CD $84.98 |
The second Bill Monroe box set contains four CD's, 120
tracks in all, and continues the complete documentation of his recording
career with Decca. This set issues Monroe's '59-'69 recordings, and also
includes a wonderful 28 page booklet complete with discography and great
vintage photos. Written and compiled by Neil Rosenberg and Charles Wolfe,
the booklet succeeds admirably in placing Bill's work in proper historical
perspective, as he was being influenced by new events and personalities in
the 60's. During the "folk boom" of the time Decca encouraged
him to record his versions of old chestnuts like Cottonfields/ Nine
Pound Hammer/ Darlin' Corey/ Shady Grove and others that were being
sanitized by urban folkies. The rise of folk and bluegrass festivals led
to exposure to new audiences, which led to young folkies like Bostonians
Peter Rowan and Bill Keith becoming formidable musicians, and eventual
Bluegrass Boys. The inclusion of these and other young players like
sometime Kentucky Colonel Roland White and the underrated banjoist Tony
Ellis helped spread the popularity of the music - and the musicians had
their influence on Bill's music as well. Bill Keith in particular, with
his unique "chromatic" approach to the banjo, caused banjo
fiddle tunes to be featured more; although his tenure was only nine
months, his influence was immense. His entire recorded output with Monroe
is here, including masterpieces like Salt Creek/ Devil's Dream/
Sailor's Hornpipe/ Pike County Breakdown/ Shenandoah Breakdown. Of the
many great fiddlers employed by Monroe, three stand out here. Kenny
Baker's talent became known worldwide during this period, and the man
Monroe considered talented enough to play his Uncle Pen's fiddle tunes is
featured throughout this set. Richard Greene, the young classically
trained violinist from Los Angeles, is present on 14 tracks here, playing
some of the most imaginative and expressive fiddle of the time. Byron
Berline recorded only three tracks with Bill, but two of them, Gold
Rush/ Sally Goodin are classics. Del McCoury, most Monrovian of the
current bluegrass singers, served his apprenticeship with the master
during this period, also recording only three cuts - Roll On, Buddy
Roll On/ Legend Of The Blue Ridge Mountains feature fantastic vocal
duets with Del and Bill. Among the other diversely talented Bluegrass Boys
here are future honky tonker Carl Butler, banjoists Lamar Grier and Vic
Jordan, fiddlers Benny Williams, Buddy Spicher, Bobby Hicks and Dale
Potter, the stalwart Joe Stuart on several instruments, and on and on -
throughout this era, players considered time spent with Monroe as a
valuable apprenticeship. It should be noted that during this time Bill was
singing, playing and composing at the peak of his powers - many of his
best recordings and compositions are here, including Crossing The
Cumberlands/ Kentucky Mandolin/ Dark As The Night (Blue As The Day)
and many others. This collection is a wonderful document, richly deserved
and very welcome, particularly because much of this material has been long
unavailable and MCA's recent "Country Hall Of Fame" CD is
woefully inadequate to the task of covering his extensive career. An
invaluable addition to any serious bluegrass fan's collection - highly
recommended. (RP)
|
| BILL MONROE |
Bear Family BCD 15606 |
Bluegrass, 1970-1979 |
● CD $84.98 |
4 CDS, 105 tracks, 4 hrs 40 mins, recommended This four CD
set is the third in Bear Family's Monroe reissue series, and while the
music here is on the whole less compelling than on the first two volumes,
there's a lot of good bluegrass here, and most dedicated
fans will want to
add this to their collections. In addition to all Monroe's studio work
during this period, the set includes the material recorded for the 2 LP
live "Bean Blossom" album, featuring the bands of Jimmy Martin,
Jim & Jesse, Lester Flatt and Bill's son James Monroe. There's lots of
fine bluegrass here on that set, including live versions of seldom or
never recorded numbers by Bill's band, but most of the selections are
familiar bluegrass fare by now, the album is readily available
domestically and a lot of it isn't Bill Monroe! Also included are two
albums featuring Bill's son James, one originally entitled "Father
And Son", which includes the first recorded version of the now
classic Walls Of Time, and another song that has become popular in
the bluegrass repertoire, Tall Pines. "Together Again",
recorded in 1978, featured both Bill's band at the time and James' band,
The Midnight Ramblers. This session is notable in part for the first
recording of Those Memories Of You, a now classic bluegrass trio
written by James' banjo player Alan O'Bryant. The thirty two page booklet
and discography included in the set are outstanding as usual with Bear
Family, as are the notes by Charles Wolfe. (RP)
|
| BILL MONROE |
Bear Family BCD 16399 |
Blue Moon Of Kentucky, 1936-1949 |
● CD $189.98 |
Another fantastic production from Bear Family - this time a
comprehensive reissue of all the early recordings by the "Father Of
Bluegrass". This six CD box set features all 60 duets recorded for Bluebird
between 1936 and 1938 by Bill and his brother Charlie, all 16 of his seminal
recordings from 1940 and '41 with his first band called The Bluegrass boys
plus all his classic Columbia sessions from 1945-49 with sidemen like Lester
Flatt, Earl Scruggs, Chubby Wise and other great musicians. It also includes
many previously unissued alternate takes from the Columbia sessions plus a
recently discovered master of the gospel song I'll Have A New Life.
Altogether there are more than 160 tracks with impeccable sound. Set comes
with a 100 page LP-sized hardcover books with extensive notes by Charles
Wolfe, discography by Neil Rosenberg and dozens of rare photos, label shots,
album covers and other memorabilia.
|
| BILL MONROE |
Columbia CK 38904 |
Columbia Historic Edition |
● CD $9.98 |
Historic Monroe recordings from 1945-47 with alternate takes
and unreleased material. 10 songs with Lester Flatt, Earl Scruggs, Chubby
Wise and others. With the exception of one track, Shining Path, all
these recordings have already been reissued by County & Rounder along
with all his other Columbia sides!
|
| BILL MONROE |
Columbia C2K 52478 |
The Essential Bill Monroe & His
Bluegrass Boys |
● CD $27.98 |
Two CD set.
|
| BILL MONROE |
Columbia CK 53908 |
16 Gems |
● CD $12.98 |
16 tracks, 45 min; essential. The release of these 16 cuts
completes the reissue on CD begun with 1992's two CD set, "The
Essential Bill Monroe and His Bluegrass Boys", wherein, for whatever
reason, alternate takes of the songs and tunes included here were used;
these are the released versions. Included are five selections from 1945
including Sally Ann Forrester on accordion and Stringbean playing old time
banjo, along with the great Chubby Wise on fiddle and Bill Westbrook on
bass -- the music isn't quite yet what we have come to know as bluegrass,
but it's close, and these are Bill's first recordings of the classics Kentucky
Waltz/ True Life Blues/ Good-Bye Old Pal, and Bluegrass Special.
The next ten selections are by what has come to be widely regarded as the
first true bluegrass aggregation, featuring as it does Lester Flatt, Earl
Scruggs, fiddler Chubby Wise, and bassist Howard Watts (Cedric Rainwater),
recorded in 1946 and '47. Titles include Heavy Traffic Ahead/ I'm Going
Back To Old Kentucky/ Bluegrass Breakdown/ Sweetheart You Done Me Wrong/
Remember The Cross, and Shine Hallelujah Shine. The last two
tracks, Can't You Hear Me Calling and Travelin' This Lonesome
Road, feature lead vocalist and guitarist Mac Wiseman, banjo player
Rudy Lyle, and Jack Thompson on bass. It's good to have these original
recodings on CD, however belatedly, no doubt a relief for Monroe
completists, and the songs and tunes here, all classics, can serve nicely
as an ideal introduction to Monroe's music to the novice. (RP)
|
| BILL MONROE |
County 119 |
American Traveler |
● CD $15.98 |
A collection of 16 all instrumental recordings drawn from
Bill's Decca recordings. Includes Roanoke/ Cheyenne/ Pike County
Breakdown/ Big Sandy River/ Louisville Breakdown/ Tallahassee/ Going Up
Caney/ Kentucky Mandolin, etc.
|
| BILL MONROE |
Hollywood HCD 409 |
At His Best |
● CD $8.98 |
12 tracks, 29 min., good. This collection from an
indeterminate period in the bluegrass patriarch's career features
competent but seldom inspired songs and tunes associated with Bill and his
Bluegrass Boys. But this is not one of Bill's better bands (whoever is in
it - no personnel info). There is a talented banjo player present here,
and Bill's mandolin playing is excellent, the vocal duets just don't
click, and the rest of the instrumental work is just o.k. Orange
Blossom Special/ Uncle Pen/ Footprints/ I Saw The Light/ Shady Grove/ Blue
Moon Of Ky./ 9 Pound Hammer etc. (RP)
|
| BILL MONROE |
MCA MCAD 10017 |
Cryin' Holy Unto The Lord |
● CD $10.98 |
Bill turns 80 this fall, and this all-gospel album proves
that he remains a remarkably vigorous and inventive musician. He may no
longer possess the vocal range or sheer speed on the mandolin that he once
did, but his playing and singing remain very impressive, and one new song
here, Baptize Me In The Cumberland River, could easily become a
standard. Bill is ably abetted here by his current band, stalwarts all,
including guitarist Tom Ewing, bassist Billy Rose, banjoist Blake
Williams, and the wonderful fiddler and bass singer Tater Tate. Guests
include Ralph Stanley, The Osborne Bros., Ricky Skaggs, Mac Wiseman, and
Jim and Jesse. Two highlights: the heavenly gospel quartet singing by
Ralph Stanley, Skaggs, Bill and Tate on Harbor Of Love, and the
same group minus Ralph on You're Drifting Away. Hair raising stuff.
On the negative side, there's only twenty-eight minutes of music, ten
cuts, on this CD. Very chintzy - MCA should be embarrassed. (RP)
|
| BILL MONROE |
MCA 11048 |
The Music Of Bill Monroe From 1936 to 1994 |
● CD $46.98 |
4 CDs, 98 tracks, 4 hrs 20 mins, essential. This remarkable
production may serve for along time to come as the best recorded overview
of the remarkable career of Bill Monroe, the man universally acknowledged
as the father of bluegrass. It should, at long last, quiet critics like
myself, who have longed for an adequate representation of Monroe's genius
from MCA, who control all his studio recordings from 1950 to the present.
Beautifully restored and remastered, this collection not only contains
many great performances cut for Decca and MCA but includes classic
performances from all his labels. There are two performances by the Monroe
Brothers recorded for Bluebird in the 30s, a live Muleskinner Blues
from the Grand Ole Opry in 1939, two selections from Bluebird featuring
the first edition of The Bluegrass Boys (1940/41), six selections from
Columbia (4 with Flatt & Scruggs) and versions of jerusalem Ridge
and The Ashland Breakdown cut for County Records in the 70s
featuring fiddler Kenny Baker. In addition, there are six previously
unissued performances to frustrate any Monroe completist including live
radio performances of Blue Moon Of Kentucky from 1955, Molly And
Tenbrooks from 1958 (both from the Opry), The Girl In The Blue
Velvet Band (new River Ranch, 1955) and a rousing version of You
Won't Be Satisfied That Way from Beanblossom 1973. The recordings are
accompanied by a remarkable 90 page booklet which includes a cogent,
highly readable, and very informative history of Monroe's career, life and
times, and is chock full of photographs, (many in color), and a helpful
discography. The bulk of the recordings here are from Monroe's Decca and
MCA sessions so those of you owne the three Bear Family boxes will have
most of what is here; but for those who can't afford those, this a great
representation of Monroe's work covering his whole career. Anyone who
already has the Bear Familia boxes, the Columbia box, the Bluebird CD
(already out of print!) and the marvelous recent Smithsonian Folkways live
sets have already exhibited a fanaticism sufficient to indicate to me
that, hey, you'll want this one too! (RP)
|
| BILL MONROE |
Smithsonian Folkways 40063 |
Live Recordings 1956-69 - Off The Record
Vol. 1 |
● CD $15.98 |
27 tracks, 75 min., essential. These previously unreleased
live recordings of the father of bluegrass (in performances, jams,
workshops, and reunited with brothers Charlie and Birch) are a treasure
trove of Monroe music, presenting titles and groups which have never been
recorded elsewhere. Taken from private tapes of Ralph Rinzler, Monroe's
personal manager, these recordings shed light on a time when Monroe's
career was in eclipse. By the end of this period, he had begun reaping the
benefits of the folk boom, along with many of his disciples. Monroe's
career is exhaustively examined in the excellent 25-page booklet, and the
music itself is full of surprises, featuring alumni Peter Rowan, Bill
Keith, Tex Logan, Bobby Hicks, Del McCoury, Richard Greene, Lamar Grier,
Edd Mayfield, Don Reno, and many more. Among the many highlights: a 1963
version of True Life Blues featuring Bill and Del McCoury, a duet
by Bill and Hazel Dickens of Roll In My Sweet Baby's Arms, and an
impromptu version of When He Reached Down His Hand For Me from 1956
with Bill, Don Reno, Mac Wiseman, and Benny Martin. Most importantly, this
recording affords us an opportunity to hear this great master, in full cry
both vocally and instrumentally, lending a rare live immediacy to these
very special performances. (RP)
|
| BILL MONROE &
DOC WATSON |
Smithsonian Folkways 40064 |
Live Duet Recordings 1963-80 - Off The
Record Vol. 2 |
● CD $15.98 |
17 tracks, 45 min., essential
This companion to Smithsonian
40063 further illuminates Monroe's career at the forefront of the 60's
folk boom, when he was often paired with the legendary traditional country
discovery of that time, Doc Watson. The duo made memorable music, largely
undocumented until now except for a couple of 70's bootlegs. Although not
strictly a bluegrass musician, Doc was and is a master in his own right,
as important as any musician ever to emerge from the traditional music of
this country. The two are most effective performing old time fiddle tunes
on mandolin and guitar, Paddy On The Turnpike/ Soldier's Joy/ Fire On
The Mountain/ Turkey In The Straw among others. Doc's rich baritone
voice is also very effective in contrast to Bill's hard-edged tenor on
such duets as What Would You Give In Exchange For Your Soul/ Where Is
My Sailor Boy/ Have A Feast Here Tonight. Also included are
traditional numbers like Foggy Mountain Top/ You Won't Be Satisfied
That Way/ Banks Of The Ohio/ Memories Of You and others, including
smoking versions of Kentucky Mandolin/ E. Tennessee Blues. Great
18-page booklet by Ralph Rinzler. (RP)
|
| CHARLIE MONROE |
Cattle 301 |
Post War Country Classics (1946-1950) |
● CD $18.98 |
24 tracks, 61 mins, highly recommended
Charlie Monroe's
career is somewhat overshadowed by that of big brother Bill but he was a
tremendous singer and was responsible for making some wonderful music.
After he and Bill went their separate ways in 1938, Charlie put together a
trio and did two sessions in '38 and '39 featuring songs very much in the
Monroe Brothers vein (Charlie was lead vocalist on most of the Monroe
Brothers sides). In the 40s (from whence these sides come) he formed a
group which over the years featured a variety of great instrumentalists
including Curley Seckler/ mandolin, Robert Lambert/bass, Ira Louvin/
mandolin, Orne Osborne/ mandolin & steel guitar, William "Red" Rector/
mandolin, Jerry Rivers/ fiddle, Don Helms/ guitar and others and a couple
of the sessions features some wonderfully effective electric guitar work.
About two thirds of the material is gospel and the rest is secular and it
includes original songs by Charlie, traditional songs plus songs by A.P.
Carter, Fred Rose, Ira & Charlie Louvin, Hank Williams and others. Superb
stuff including There's No Depression In Heaven/ When The Angels Carry
Me Home/ Don't Forget To Pray/ End Of Memory lane/ Walking With You In My
Dreams/ Our Mansion Is Ready/ Gonna Shake Hands With Mother Over There/
Sugar Cane Mama/ 'Neath A Cold Grey Tomb Of Stone, etc. Sound is
generally excellent and a booklet is included but the notes are in German.
(FS)
CHARLIE MONROE: 'neath A Cold Grey Tomb Of Stone/ A
Valley Of Peace/ Bringin' In The Georgia Mail/ Campin' Canaan's Land/
Don't Forget To Pray/ End Of Memory Lane/ Gonna Shake Hands With Mother
Over There/ I Know You'll Understand/ I See A Bright Light Shining/ I'm
Gonna Sing, Sing, Sing/ If We Never Meet Again/ Mother's Not Dead, She's
Only Sleeping/ Our Mansion Is Ready/ Red Rocking Chair/ Springtime In
Glory/ Sugar Cane Mama/ Sweetheart I Love You Best/ The Grave At The Foot
Of The Mountain/ There's No Depression In Heaven/ They Didn't Believe It
Was True/ Walking With You In My Dreams/ When The Angels Carry Me Home/
You'd Better Be Somewhere Praying/ You'll Find Me There
|
| CHARLIE MONROE |
Old Homestead 4133 |
Charlie Monroe's Boys |
● CD $17.98 |
26 tracks, 63 mins, recommended This is a bit of a
frustrating collection - beautiful music with only adequate sound. Charlie
Monroe's career is somewhat overshadowed by that of big brother Bill but
he was responsible for making some wonderful music. After he and Bill went
their separate ways in 1938, Charlie put together a trio with Zeke Morris
on guitar and vocal and Bill Calhoun on mandolin and did two sessions in
'38 and '39 featuring 18 songs very much in the Monroe Brothers vein
(Charlie was lead vocalist on most of the Monroe Brothers sides). Their
repertoire was largely gospel songs including lovely versions of tunes
like Once I Had A Darling Mother/ Farther Along/ Take Me Back To The
Valley/ The Great Speckled Bird/ Every Time I Feel The Spirit/ Oh Death
and more. In the 40s he formed a larger group which included a bass,
occasional steel and some wonderful electric guitar - the result was a
terrific update to his old timey sound which remained true to the spirit
of what had come before but gave the music a greater urgency - something
that Bill had accomplished in a slightly different way through bluegrass.
There are 8 superb tracks from this period on this collection. I hope it
doesn't sound too sacrilegious to say that on tracks like Sweetheart I
Love You Best or You'd Better Be Praying with it's hard driving
blend of acoustic and electric instruments the music was as exciting and
innovative as what Bill and the Bluegrass Boys were doing. Had fate taken
a different turn who knows what might have happened? The remastering is
often thin and muddy - still this is the only place to get this wonderful
material so until someone like Bear Family does it right this will have to
do. (FS)
|
| BILL MONROE/
THE MONROE BROTHERS |
RCA 67450 |
The Essential Bill Monroe & The Monroe
Brothers |
● CD $15.98 |
25 cuts including Mule Skinner Blues/ Cryin' Holy Unto My
Lord/ Dog House Blues/ Katy Hill/ Shake My Mother's Hand For Me/ Blue
Yodel No. 7/ Orange Blossom Special/ In The Pines/ The Great Speckled
Bird/New River Train/ On The Banks Of The Ohio/ Just A Song Of Old
Kentucky/ I Am Thinking Tonight Of The Old Folks, etc.
|
| PATSY MONTANA |
Cattle 240 |
The Pride Of The Prairie |
● CD $18.98 |
A collection of 26 tracks from the most popular cowgirl
vocalist recorded in the 30s and 40s usually accompanied by the excellent
Prairie Ramblers.
|
| PATSY MONTANA |
Collector's Choice 185 |
The Best Of Patsy Montana |
● CD $15.98 |
24 tracks collection of this fine artist's sides from the
mid-late 30s - I Wanna Be A Cowboy's Sweetheart/ The She Buckaroo/ Lone
Star/ Echoes From The Hills/ I Only Want A Buddy, Not A Sweetheart/ Cowboy
Rhythm/ Rodeo Sweetheart/ I Wanna Be A Western Cowgirl/ My Million Dollar
Smile/ Back On Montana Plains/ / My Song Of The West/ Leanin' On The Old
Top Rail, etc.
|
| PATSY MONTANA |
King 6103 |
Cowboy's Sweetheart |
● CD $9.98 |
CD issue of Starday album - probably from the 60s featuring
this pioneering Western singer with a straight ahead country band.
|
| CLYDE MOODY |
Bronco Buster 9011 |
The Immortal |
● CD $19.98 |
Moody didn't have many big hits, but his voice was very
appealing and perfect for 40s country music. He recorded some excellent
music, much of which he composed himself. Two of his best, I Worship
You and You Caused it all by Telling Lies are here, as are I'm
Sorry if That's the Way You Feel and Afraid, by Fred Rose. The
Angels Must Have Cried Last Night, featuring Jerry Byrd on steel, is
excellent, as is Tommy Scott's You are the Rainbow of My Dreams. I'm
so Lonesome is one of Moody's best recordings. There are only a couple
of weak ones in this 20 song collection. All are hard-to-find. No
bluegrass. (
OJS)
CLYDE MOODY: Blue Mexico Skies/ I Dreamed You Dreamed of Me/ I Worship
You./ I'm So Lonesome/ I'm Sorry If That's the Way You Feel/ It's Too Late
to Say You Were Wrong/ Little Blossom/ Over the Hill/ Paid in Full/ Red
Roses Tied in Blue/ She Cooked My Goose/ Someday You'll Remember/ The
Angels must Have Cried Last Night/ The Last Goodbye/ You Are the Rainbow
in My Dreams
|
| GEORGE MORGAN |
Bear Family BCD 15851 |
Candy Kisses |
● CD $194.98 |
Eight CD's, 201 tracks, recommended
Before Lorrie Morgan was
even a glint in her daddy's eye, George Morgan had a short run of late
forties-early fifties stardom and only sporadic success afterward. Part of
the problem was that he had a vocal style much like Eddy Arnold's and was
hired by the Opry just after Eddy quit the show in 1948. This disc has
everything from 1949 until he left Columbia in 1966, including the
original hits, later remakes of those hits, duets with Dinah Shore,
Rosemary Clooney and Nashville singer Marion Worth. Before Jim Reeves hung
up his honkytonk boots in 1957 to turn soft crooner under Chet Atkins's
guidance, Morgan had the market cornered. He should have prospered in the
late fifties, as his voice was perfect for the Nashville Sound. That
didn't happen for a variety of reasons and he was relegated to the second
string, popular enough to tour for years and work the Opry (though he quit
the show twice). He never really grabbed the top rung and may never have
really wanted to. That he remained an artist of consistently high quality
is clear from all this, though his style limited his choices of material.
Still popular on the road, Morgan never achieved as much success as a
recording artist after leaving Columbia, drifting from label to label
until his death in 1975. The collection comes with an excellent 39-page
booklet with Colin Escott's essay (based on interviews with among others,
Morgan's widow Anna). Also, check out the incredible in-studio photos
taken of Morgan and legendary Columbia producer Uncle Art Satherley at a
1949 Columbia session rehearsal. (RK)
|
| GEORGE MORGAN |
Jasmine 3503 |
Candy Kisses Are The Best Of All |
● CD $11.98 |
23 tracks from this popular artist drawn from radio show,
presumably from the mid/late 50s. He does some of his own and other
artists hits as well as non-hits. Includes Candy Kisses/ Have You Ever
Been Lonely/ Take A Look At Yourself/ The Best Of All/ When A Man gets The
Blues/ I Can't Gop On This Way/ Billy Bayou/ Panhandle Rag and others.
No information is given in notes but personnel appears to include Roy
Wiggins on steel guitar and Dale Potter/ fiddle.
|
| TOM
MORRELL & THE TIME WARP TOPHANDS |
Wr Records 010 |
Son Of No Peddlers Allowed |
● CD $16.98 |
13 Tracks, 57 min., recommended Volume IX in Tom Morrell's How
the West Was Swung series, this CD should not be played unless the
listener is ready to be swung. It is pretty close to being a must for fans
and players of the steel guitar. Why?? Well, for starters Morrell got
Jerry Byrd (yes, THAT Jerry Byrd) to play on this release along with
fellow steel guitarists Bob White, Pee Wee Whitewing, Billy Braddy and
Morrell himself. Beyond the playing you get info regarding the guitars
they and tunings they used. And that's not all, Chris O'Connell adds
vocals on one song. And you get a bunch of other great musicians on
instruments other than the steel guitar. I haven't heard all of the other
eight volumes of this series. I assume this is as good a place to start as
any. Morrel and the Tophands take the listener to where the swingin' is
easy and the cotton is high. (RS)
|
| TOM
MORRELL & THE TIME WARP TOPHANDS |
Wr Records 12 |
Win, Place & Show |
● CD $15.98 |
10th volume in the "How The West Was Swung" series
of western swing which includes Howard MacRae, Johnny Case, Leon Rausch,
Robert Reams & others.
|
| LYNN MORRIS |
Rounder 0288 |
The Bramble And The Rose |
● CD $15.98 |
|
| ROD MORRIS |
Bear Family BCD 16193 |
Bimbo |
● CD $21.98 |
24 tracks by this western flavored country performer from
Missouri who is perhaps best known as a songwriter - he wrote the title
song which was a big hit for Jim Reeves. This set includes his original
recording of the song plus others like I Feel Like A Wreck (Looking For
Someplace To Happen)/ Free, Wise And Twenty One/ Alabama Jailhouse Blues
and more.
|
| MOON MULLICAN |
Ace CDCHD 458 |
Moonshine Jamboree |
● CD $18.98 |
28 tracks, 58 minutes, recommended
Over ten years ago the
now-defunct Western label released a legal reissue of Moon Mullican's more
rocking King material called Seven Nights to Rock. That LP, which I
annotated, laid out clearly the debt owed him by nearly every
piano-pounding country singer by assembling Moon's best hillbilly boogie
and rock and roll work. Ace has provided a worthy successor to that
collection mixing a few numbers from it with plenty of King material never
released at all, including What's the Matter with the Mill/ Moonshine
Blues/ Lonesome Hearted Blues/ I'm Gonna Move Home Bye and By and I'll
Take Your Hat Right Off My Rack. The sound is generally all right. A
few tracks lose a bit of their audio edge due to the lousy overdubbed echo
King added to many of their recordings in the fifties. Given the fact only
one Moon CD full of the obvious hits is available domestically, this one
is well worth it. In addition, it features some incredible, never-
published shots of Moon in the studio and onstage. I tend to agree with
annotator Phillip Tricker's comments that 12 of Moon's earliest King sides
may actually have been recorded for the Gulf label, and probably purchased
by Syd Nathan. What's puzzling is the absence of session information (or
even speculation). A minor point to a fine set. (RK)
|
| MOON MULLICAN |
Ace CDCHD 997 |
Seven Nights To Rock |
● CD $18.98 |
24 more sides by this fine and influential singer and
piano player - many of them appearing on CD for the first time. It
includes the original recording of Hank Williams' Jambalaya plus a
four track session from 1956 with rock 'n' roll band Boyd Bennett & The
Rockets plus lots of other fine sides. Includes 12 page illustrated booklet with
extensive notes by Kevin Coffy.
MOON MULLICAN: A Mighty Pretty Waltz/ Crippled For Life/ Grandpa Stole My
Baby/ Hey Shah/ Honolulu Rock-a Roll-a/ I'm Mad With You/ If You Don't
Want No More Of My Loving/ Jambalaya/ Jose The Mexican Boy/ Keep A Light
In The Window For Me/ Maybe It's All For The Best/ Memphis Blues/ Mona
Lisa/ Piano Breakdown/ Rock'n'roll Mr Bullfrog/ Seven Nights To Rock/
Short But Sweet/ So Long (alt)/ Sugar Beet/ Think It Over/ Too Many Irons
In The Fire/ Wanted (alt)/ Without A Port Of Love/ You Don't Have To Be A
Baby To Cry
|
| MOON MULLICAN |
Bear Family BCD 15607 |
Moon's Rock |
● CD $21.98 |
Musically, Moon's post-King Records period was not his best.
He recorded 21 numbers for both Coral and Decca, most of them with slick
"Nashville Sound" arrangements with occasional sax and vocal
choruses. None were hits and only a few were truly inspired. Still, the
original Coral LP, "Moon Over Mullican", is a high priced
collectors item today. Rich Kienzle's liner notes feature his Decca
producer Owen Bradley, a longtime Mullican fan, admitting that Decca the
label never really handled Moon right. A few bright spots include Every
Which-A-Way, a terrific pop number and Pipeliner Blues which
jumps nearly as much as the King version, and his final two unissued Decca
recordings, funkier numbers done with only a rhythm section. The rest of
the material is tepid at best and awful at worst. As for the 11 1962-64
tracks recorded for the tiny, Texas-based Hallway label (later released on
a Kapp LP), only a couple like I'll Pour The Wine and Cajun
Coffee Song are worth it. Moon's health being bad by the early
sixties, combined with the mediocre material, was an underwhelming end to
an incredible career. The Bear Family presentation is typically superb,
with fantastic sound, unknown photos and complete discographical data. If
someone could only issue the King sides with as much care!! (AK)
|
| MOON MULLICAN |
Bronco Buster 9022 |
I Left My Heart In Texas |
● CD $19.98 |
20 tracks, recommended
This is a hodgepodge of King material from 1946 (when he started with the
label) through 1954. It's not particularly heavy on any of the several
styles Moon excelled in. There are upbeat tunes like his hit I'll Sail
My Ship Alone, All I Need Is You, (Don't Let Temptation)
'Turn You Round (with a vocal chorus) and his hit cover of Jole
Blon, New Pretty Blonde. Ballads include Lonesome Hearted
Blues, the gospel blues I'm Gonna Move Home Bye and Bye, It's
A Sin to Love You Like I Do, both from his first session and When A
Soldier Knocks and Finds Nobody Home, a song credited to Moon, Ernest
Tubb and Lou Wayne. His excellent rendition of Mona Lisa is
included along with the jivey Wait A Minute and his version of Bob
Wills's A Maiden's Prayer with vocal by Cotton Thompson. This isn't
really the best Mullican out there, but most of this material has never
been issued in any form, making it important for that fact alone. (RK)
MOON MULLICAN: (Don't Let Temptation) Turn You'Round/ A Maiden's Prayer/
All I Need Is You/ Broken Dreams/ I Left My Heart in Texas/ I'll Sail My
Ship Alone (# 1)./ I'm Gonna Move Home Bye and Bye/ I'm Hanging up All My
Work Clothes/ It's a Sin to Love You like I Do/ Jole Blon Is Gone, Amen/
Mona Lisa/ New Pretty Blonde (New Jole Blon)/ No Stranger/ The Lamp of
Life Is Burning Low/ The Lonesome Hearted Blues/ Wait a Minute/ When a
Soldier Knocks and Finds Nobody Home/ Without a Port of Love/ Worries on
My Mind/ You Don't Have to Be a Baby to Cry
|
| MOON MULLICAN |
Deluxe 7813 |
22 Greatest Hits |
● CD $6.98 |
Not bad music, but also not, as I had hoped, the original
tracks laid down for King Records in the 40's. And the dearth of liner
notes makes it very difficult to tell when these studio rerecordings were
made. Suffice it to say that these are 22 of Moon's "hit" tunes
in nice clean sound, but not the "hit" versions. Tracks include Ragged
But Right/ Sweeter Than The Flowers/ Jole Blon/ Mona Lisa/ Cherokee
Boogie/ Shoot the Moon, and Good Times Gonna Roll Again. The
cover photo shows the artist looking just a bit long of tooth, and there
are no notes. (DH)
|
| MOON MULLICAN |
King 555 |
Sings His All-Time Hits |
● CD $9.98 |
Reissue of album originally issued in 1958. 12 great sides
recorded between 1946 and 1956 - I'll Sail My Ship Alone/ The Leaves
Mustn't Fall/ Sugar Beet/ Sweeter Than the Flowers/ I Was Sorta Wonderin'/
You Don't Have To Be A Baby To Cry, etc.
|
| MOON MULLICAN |
King 628 |
Moon Mullican Sings And Plays 16 Of His
Favorite Tunes |
● CD $9.98 |
8 of the 12 cuts here including Jambalaya/ Short But
Sweet/ So Long, and A Thousand And One Sleepless Nights are
real honky tonkers, replete with Moon's tinkling piano and lusty vocals.
The remainder are sentimental songs about home and mother or waltz time
ballads and are less interesting.
|
| ALAN MUNDE |
Rounder 0301 |
Blue Ridge Express |
● CD $15.98 |
|
| ALAN MUNDE |
Rounder 0311 |
Festival Favorites Revisited |
● CD $15.98 |
20 tracks, 53 min., recommended. These selections are from a
series entitled "Festival Favorites" (Ridgerunner label),
recorded in the mid-80's. Banjoist Munde is a veteran of the Jimmy Martin
band, and the longtime leader of Country Gazette. Oriented towards
bluegrass banjo standards, the repertoire is mainly traditional, with
straightforward arrangements. The playing, however, is topnotch, including
Sam Bush (lots of great fiddle), Roland White, Jerry Douglas, and others.
Tunes include Hot Burrito Breakdown/ Clinch Mt. Backstep/ John Hardy/
Salt Creek/ Sally Goodin'/ Cripple Creek/ Devil's Dream and more. This
disc would be ideal for any bluegrass player just discovering the
traditional repertoire, and makes for great listening, too. RP)
|
| JIMMY MURPHY |
Ace CDCHD 714 |
Southern Roots - Legendary Starday/REM
Sessions |
● CD $18.98 |
Amazing! I thought the recent Sugar Hill reissue of Murphy's
1978 session together with the Bear Family reissue of Columbia & RCA
recordings was it - then along comes Ace with a reissue of his mid 60s
recordings with 12 previously unissued cuts! Wonderful singing and
acoustic guitar playing from Jimmy with basic accompaniments. Mostly
country gospel songs along with some blues and honky tonk country.
|
| JIMMY MURPHY |
Bear Family BCD 15451 |
Sixteen Tons Rock 'n Roll |
● CD $21.98 |
Long-awaited collection of Murphy's RCA and Columbia
recordings. Murphy, who died in 1981, only recorded 16 songs for both
labels from 1951-56 but has a cult following among both rockabilly and
traditional country fans for his intense, deeply traditional acoustic
sound, effective on his own harder-than-hard country compositions like Mother,
Where Is Your Daughter Tonight, the minor gospel masterpiece Electricity,
Big Mama Blues and We Live A Long, Long Time. He was backed
on the first RCA session by his own guitar and Anita Carter's bass and on
his second session by Chet Atkins (gtr), Bob Foster (steel) and Tommy
Jackson (fiddle). He was no less powerful on cuts like Granpaw's A Cat
and Sixteen Tons Rock and Roll (featuring Onie Wheeler on
harmonica). If you liked Murphy's late '70s Sugar Hill LP featuring Ricky
Skaggs in the backup band, you'll want to hear the originals.
(RK)
|
| JIMMY MURPHY |
Sugar Hill 3890 |
Electricity |
● CD $15.98 |
16 tracks, 41 mins, essential
At last this masterpiece is
now reissued on CD with four bonus tracks. Murphy was such major talent
and it's sad that he recorded so infrequently. He was astonishingly
versatile - equally at home with a Jimmie Rodgers style blues, a bluegrass
song, a honky tonk country song or a soulful gospel song. A fine and
expressive singer he was also a brilliant acoustic guitarist and an
outstanding songwriter with a wry sense of humor in his songs. On many of
the cuts here he is given sterling accompaniment by Ricky Ska | |
