COUNTRY,
BLUEGRASS & OLD-TIMEY
Dock Boggs -> The
Byrds
| DOCK BOGGS |
Smithsonian Folkways 40108 |
His Folkways Years, 1963-1968 |
● CD $24.98 |
Two CD set featuring all the recordings
made by this great traditional musician for Folkways between 1963 and '68
and originally issued on three LPs. Although lacking the ferocity of his
early recordings he was still a fount of great songs and music.
|
| JOHNNY BOND |
Cattle 266 |
The Fabulous Johnny Bond |
● CD $18.98 |
27 tracks recorded between 1941 and 1951 by this popular West
Coast country artist includes 15 sides from rare radio transcriptions cut
between 1949 and 1951. Sidemen include Joaquin Murphy, Jimmy Wakely, Noel
Boggs and others.
JOHNNY BOND: A Heart Full Of Love (for A Handful Of Kisses)/ Baby You're Thru
Foolin' Me/ Cherokee Waltz/ Hills Of Kentucky/ I Found You Out/ I Love You
Because/ I Won't Stand In Your Way/ I'll Step Aside/ It Ain't A Gonna Happen
To Me/ John's Other Wife/ Kentucky Waltz/ Lily Of The Valley/ Mister And
Mississippi/ Oklahoma Waltz/ Put Me To Bed No. 2/ Read It And Weep/ Somebody
Loves You/ Sparkling Blue Eyes Waltz/ Starlight On The Prairie/ Tennessee
Saturday Night/ Texas Cannonball/ The First Rose/ They Got Me/ Till The End
Of The World/ Wasted Tears/ What Would You Do If You Were Me/ What's Been
Goin' (while I've Been Gone)
|
| JOHNNY BOND |
Cattle 313 |
Alabama Boogie Boy |
● CD $18.98 |
27 tracks recorded between 1951 and '54 by this popular
and prolific performer. Sidemen on these sessions include Speedy West,
Jimmy Bryant, Joe Maphis, Tommy Jackson, Wesley Tuttle and others.
JOHNNY BOND: Alabama Boogie Boy/ Anybody's Baby/ Back
Street Affair/ Born To Be Bad/ Broke, Disgusted And Sad/ Everybody Knew
The Truth But Me/ Fire Water/ I Dreamed I Searched Heaven For You/ I Found
You Out/ I Lose Again/ I Went To Your Wedding/ I Wonder Where You Are
Tonight/ In Old Mexico/ Live And Let Live/ Louisiana Lucy/ My Darling Lola
Leestealin'/ Number Nine Blues/ Old Man Blues/ Our Love Isn't Legal/ Peace
Be Still/ Put A Little Sweetnin' In Your Love/ Sweet Mama, Tree Top Tall/
Thanks/ The Hills Of Old Kentucky/ The Man Behind The Throttle/ The Ninety
And Nine
|
| JOHNNY BOND |
Jasmine 3541 |
I Like My Chicken Fryin' Size |
● CD $11.98 |
| 23 track collection of sides from the late 40s and early 50s
by this popular performer including his hits Divorce Me C.O.D./ So Round,
So Firm, So Fully Packed/ The Daughter Of Jole Blon/ Oklahoma
Waltz and others
|
| JOHNNY BOND |
Starday SCD 147 |
Songs Of That Wild, Wicked But Wonderful
West |
● CD $9.98 |
|
|
BILL BOYD &
HIS COWBOY RAMBLERS |
B.A.C.M. 049 |
Singing & Swinging |
● CD $14.98 |
21 tracks, highly recommended
21 tracks from one of the
finest and most prolific Western Swing bands led by singer/ guitarist Bill
Boyd. The varied material here was recorded between 1934 and 1950 and
features appearances by lots of stellar musicians like Bob Dunn, Noel Boggs,
Zeke Campbell, Cecil Brower, Knocky Parker, Art Davis and others. Includes
I Wish I Knew The Way You Feel/ An Ace/ Oh Monah (You Shall Be Free)/
That's Why I'm Jealous Of You/ Why Don't You Love Me/ Singing And Swinging
For Me/ Lone Star/ Spanish Fandango, etc. Excellent sound and
informative notes from Kevin Coffey. (FS)
BILL BOYD & HIS COWBOY RAMBLERS: An Ace/ Boyds Tin Roof Blues (instr)/ Fan
It/ Goofus (instr.)/ Guess Whos In Town/ Homecoming Waltz (instr.)/ I Cant
Tame Wild Women/ I Wish I Knew The Way You Feel/ Ive Got The Blues For
Mammy/ Lone Star/ Mama Dont Like No Music/ New Steel Guitar Rag (instr.)/
Oh Monah (You Shall Be Free)/ Palace In Dallas/ Ramblers Rag (instr.)/
Singing And Swinging For Me/ Spanish Fandango (instr.)/ Thats Why Im
Jealous Of You/ Wah Hoo/ Why Dont You Love Me/ Windswept Desert (Desert
Blues)
|
| BILL BOYD
& HIS COWBOY RAMBLERS |
Cattle CCD 229 |
The Golden Age Of Bill Boyd & His Cowboy
Ramblers |
● CD $18.98 |
A collection of 24 tracks recorded between 1934 and 1947 by
this fine and popular Western Swing band - most which have not been
reissued before in any form. Includes sidemen like Marvin Montgomer/
banjo, Noel Boggs/ steel, John "Knocky" Parker/ piano and
others.
|
| BILL BOYD
& HIS COWBOY RAMBLERS |
Cattle CCD 234 |
Swing With Bill Boyd & His Cowboy
Ramblers |
● CD $18.98 |
24 more sides from the late 30s and early 40s by this
excellent Western Swing band.
|
| ELTON BRITT |
Cattle 260 |
Stars And Stripes Forever |
● CD $18.98 |
Collection of yodeling songs (including duets with Rosalie
Allen), Western songs, country blues, polkas and more from this popular
performer recorded between 1933 when he cut his first solo recording through
1951. Most tracks have not been reissued before on LP or CD.
|
| HERSCHEL BROWN |
Document DOCD 8001 |
Complete Recorded Works In Chronological
Order, 1928-29 |
● CD $15.98 |
23 tracks, 71 mins, recommended. First in what promises to be
a very extensive series of early country music reissues from Johnny
Parth, the man who has reissued more than 700 CDs of pre-war African
American blues, gospel and vocal quartet material. Like those reissues the
country reissues will feature the "complete recordings in
chronological order" of the artists included. Sound quality is
generally decent, packaging is basic with black and white graphics, notes
by an expert in the field and full discographical information. This first
volume features 23 tracks recorded 1928/29 by various groups featuring
washboard player, spoons player and raconteur Herschell Brown. Half the
cuts feature him on washboard with various small groups playing old time
breakdowns and the rest are a mix of novelty sketches with music and
talking blues. With the exception of L.K. Sentell who plays some very fine
guitar most of the other musicians are unknowns but whoever they are they
are generally good ans in addition to the usual fiddles and banjo some
cuts include harmonica, piano and even clarinet - the latter fitting in
surprisingly well. An entertaining selection of music - good sound and
informative notes from Tony Russell who is one of the leading experts in
the field of old time country music. (FS)
|
| HYLO BROWN |
Bear Family BCD 15572 |
1954-60 |
● CD $41.98 |
The man whose vocal range and use of falsetto was so
impressive that he was promoted as "High-Low" gets a
well-deserved retrospective. The 46 Capitol tracks here include solid
bluegrass numbers, mainstream country songs, and even several previously
unreleased tracks aimed at a slightly more pop market, numbers on which
Brown is ably backed by the Jordanaires. Titles include Flower Blooming
in the Wildwood/ Put My Little Shoes Away/ Lost To A Stranger/ The
Prisoner's Song, and It's All Over Now (But the Crying). Brown
is generally held to be one of the unheralded heroes of bluegrass, but he
served part of his apprenticeship under the country balladeer Bradley
Kincaid, and he liked the early songs of Eddie Arnold, so his approach to
a song, even one that's clearly in the bluegrass camp, is much less
hard-edged than those singers who sought more directly to imitate Bill
Monroe. As a result, a CD-length program of his material is both more
varied and easier on the ears. Full discographical information, solid
notes, and excellent sound. Recommended. (DH)
|
| HYLO BROWN |
Copper Creek 135 |
In Concert |
● CD $16.98 |
17 tracks, 38 min; recommended. This live concert recording
from 1959 was recorded at The New River Ranch in Rising Sun, Maryland. It
is especially welcome since there is so little vintage material available
from the redoubtable Hylo Brown, so nicknamed because his natural vocal
range in his prime extended from a warm, rich baritone at bottom to a
sweet, high tenor on top; he often sang falsetto as well. Brown recorded
an album's worth of classic bluegrass material for Capitol in the early
fifties, played bass for Flatt and Scruggs during the late fifties, and
led his own Timberliners, featured here, after that for a time, including
a stint as a sort of second unit to Flatt and Scruggs for Martha White
Mills. This recording features Hylo's legendary voice and guitar along
with an excellent band featuring Jim Smoak on banjo, Tater Tate on fiddle
and Jay Bailey on bass in a program of oldtime bluegrass bound to please
aficionados of the traditional repertoire. Songs and tunes include The
Girl I Love Don't Pay Me No Mind/ Farewell Blues/ Cabin On The Hill/ Roll
In My Sweet Baby's Arms/ Will The Angels Play Their Harps For Me/ Paddy On
The Turnpike/ Tragic Romance, and others. Satisfying. (RP)
|
| THE BROWNS |
Bear Family BCD 15665 |
The Three Bells |
● CD $189.98 |
Eight discs, 257 songs, approximately 10 hours, fans only
I
guess the Browns (Jim Ed Brown and sisters Bonnie and Maxine) must have
one helluva following in Europe. The Beatles liked 'em, according to the
notes. That would explain why Bear Family's issued their complete Fabor
and RCA recordings in this beautiful box. That's the good news. In all
honesty, this is more Browns than anyone except a dyed-in-the-wool fan
could take. They had only 21 Billboard chart entries through their entire
career, way less than 10 percent of their total output. And once you get
past their decent 1954 Looking Back to See and Here Today and
Gone Tomorrow (their first hits). the early, novelty-laden Abbott
stuff is hard to take. Songs like the moronic Itsy Witsy Bitsy Me/ Set
the Dawgs On 'Em, and Goo Goo Da Da shouldn't be listened to on
a full stomach. The harmonies are pleasant on the ballads, but awfully
monotonous. At RCA, Chet Atkins produced them and at times played some
tasty guitar. They found their biggest successes there with I Take the
Chance/ I Heard the Bluebirds Sing. Their biggest triumph was their
sentimental crossover smash, The Three Bells, a reworked French pop
hit recorded by, among others, Edith Piaf. Equally sentimental versions of
Scarlet Ribbons and The Old Lamplighter also crossed over
though, thank God, their awful version of Indian Love Call did not.
Despite recording album after album, their country hits were few. The set
ends with their final 1967 session. Jim Ed, who'd also recorded as an RCA
solo artist, ultimately found his greatest success there. This is one of
Bear's finest packages, however. Country Music Foundation staffer Chris
Skinker's tremendous liner notes, done with full cooperation from the
Browns, rank with the best Bear has ever published. Just as fine are the
rare photos from the Brown archives, including a doozy of the threesome
performing in front of an old S & H Green Stamp store. If only the
dull music justified all this . . . (RK)
|
|
MILTON
BROWN & HIS MUSICAL BROWNIES |
Origin Jazz Library 1000 |
Western Swing Chronicles, Vol. 1 |
● CD $13.98 |
25 tracks, essential
If you can't afford the box set of
Brown's complete recordings (Texas Rose 1-5 Five CDs with book - $69.98)
this single album is a great introduction to the music of one of the
creators of Western swing featuring sides ranging from the bouncy Nancy
Jane recorded at his first session in 1932 as a member of The Fort
Worth Doughboys -a group that also included Bob Wills - and ends with the
beautiful love song A Thousand Good Nights recorded at his last
session in March, 1936 - just a month before his tragic early death.
Brown's group, The Musical Brownies, changed musical history. To his
brother Derwood's rock solid guitar, he added Ocie Stockard's equally
steady tenor banjo, the Earl Hines-influenced piano of Fred
"Papa" Calhoun (the 1st piano in Western Swing), and the
dazzling, jazzy, Venuti-styled fiddle of Cecil Brower. Then, in 1935, he
added the utterly astounding, revolutionary amplified steel guitar of Bob
Dunn, whose take-off style featured some of the earliest examples of
amplified guitar to be recorded and incorporated blues, Hawaiian guitar
& the trombone of Jack Teagarden. This wildly infectious, jazzy
danceband served the marvelous, easy-swinging vocals of Milton, who could
croon sweetly, growl the blues, jive like Cab Calloway, or shout to the
heavens the joys of womanhood, babies, Texas, or rascality. All manner of
vaudeville, blues, pop, and swing were given his special treatment. Sound
quality on this issue is superb and the 20 page booklet has informative
notes by Brown's biographer Cary Ginell, great and rare photos and
discographical information. (JM/ FS)
|
|
MILTON
BROWN & HIS MUSICAL BROWNIES |
Proper BOX 59 |
Daddy Of Western Swing |
● CD $25.98 |
4 CDs, 106 tracks, essential
In 1932, the seminal western
band The Light Crust Doughboys split in 2. Fiddler Bob Wills & banjo player
Sleepy Johnson eventually started the great Bob Wills & His Texas Playboys.
Singer Milton Brown & his young guitar-slinger brother Derwood formed The
Musical Brownies. Adding such future greats as banjo player Ocie Stockard,
pianist John "Papa" Calhoun (nicknamed in honor of his hero Earl "Fatha"
Hines), fiddler Cecil Brower & legendary pedal steel player Bob Dunn. The
band initially recorded for Bluebird - their 4/4/34 session is considered
the 1st real Western Swing recording session. After 2 sessions with
Bluebird, resulting in 18 recordings, the band switched to Decca for the
rest of their short life, hastened by the death of Milton in complications
from a car crash just 2 years later, 4/12/36. Derwood kept the Brownies
together for a littler while & this set ends with 4 tunes by Derwood Brown &
His Musical Brownies. Set includes such greats as Easy Ridin' Papa/
Garbage Man Blues/ Brownie's Stomp/ Get Along Cindy/ Who's Sorry Now/ You're
Bound To Look Like A Monkey, etc. With 32 page booklet. (GM)
|
| MILTON BROWN
& THE BROWNIES |
Texas Rose 1-5 |
Complete Recordings Of The Father Of Western
Swing |
● CD $69.98 |
5 CDs, 120 tracks, 350 min, essential
At last, the complete
recorded legacy of Milton Brown, the charasmatic vocalist/bandleader from
Fort Worth who, as detailed in Cary Ginell's fine book Milton Brown and
the Founding of Western Swing-$29.95, created the hybrid music known
as Western Swing. Born in 1903 in central Texas, he started singing his
mixture of country, pop & Tin Pan Alley, and blues songs in high
school, joining with fiddler Bob Wills & guitarist Herman Arnspiger,
eventually recording 2 sides Sunbonnet Sue & Nancy Jane (included
here) as the Fort Worth Doughboys in 1932. Soon he formed his Musical
Brownies, with innovations that changed musical history. To his brother
Derwood's rock solid guitar, he added Ocie Stockard's equally steady tenor
banjo, the Earl Hines-influenced piano of Fred "Papa" Calhoun
(the 1st piano in Western Swing), and the dazzling, jazzy, Venuti-styled
fiddle of Cecil Brower. In 1934, they recorded 18 lively sides for
Bluebird, strutting the stuff that made them the most popular band in Fort
Worth and caught the ear of every aspiring picker in the state. Then, he
added the utterly astounding, revolutionary amplified steel guitar of Bob
Dunn, whose take-off style incorporated blues, Hawaiian guitar & the
trombone of Jack Teagarden. Among the 84 hot sides recorded for Decca in
1935-36 are the 1st (maybe 2nd) examples of amplified guitar to be
recorded. This wildly infectious, jazzy danceband served the marvelous,
easy-swinging vocals of Milton, who could croon sweetly, growl the blues,
jive like Cab Calloway, or shout to the heavens the joys of womanhood,
babies, Texas, or rascalarity. All manner of vaudeville, blues, pop, and
swing were given his special treatment. Unfortunately, this unique talent
was silenced by an auto crash in 1936. His brother Derwood tried to
continue, waxing 14 fines sides in 1937, 2 with vocals by Jimmie Davis.
But, the magic left with Milton, leaving Wills & others bring Western
Swing to wider acceptance and glory. Still, these wonderful sides, heard
here with amazingly fine sound and complemented by the fine booklet by
Ginell, have a joy and vivacity rarely equaled in popular music. Rush to
your phone, mailbox, fax or passenger pigeon to order this jewel. (JM)
|
| THE BROWN'S FERRY FOUR |
King 590 |
Sacred Songs, Vol. 2 |
● CD $9.98 |
16 tracks, 39 mins, highly recommended. 16 superb examples of
gospel quartet sings from this legendary occasional group featuring Merle
Travis, Grandpa Jones & The Delmore Brothers. The Delmores provide
most of the leads with the others providing harmonies with occasionally
Red Foley substituting for Travis on bass vocals. Backup is mostly Merle's
guitar with occasional mandolin. Songs include Will The circle Be
Unbroken/ If We Never Meet Again/ Everybody Will Be Happy Over there/ When
The Good Lord Cares/ When he Blessed My Soul, etc. Half a dozen tracks
are duplicated on Starday 3017. Sound is not great but certainly
satisfactory. (FS)
|
| THE BROWN'S FERRY FOUR |
Starday 3017 |
16 Greatest Hits |
● CD $9.98 |
16 tracks, 39 mins, highly recommended 16 superb examples of
gospel quartet sings from this legendary occasional group featuring Merle
Travis, Grandpa Jones & The Delmore Brothers. The Delmores provide
most of the leads with the others providing harmonies with occasionally
Red Foley substituting for Travis on bass vocals. Backup is mostly Merle's
guitar with occasional mandolin. The songs are mostly Alton Delmore
originals along with a few old favotites. The sound on a few tracks is
muffled but most of it sounds fine. (FS)
|
| ED BRUCE |
Bear Family BCD 15830 |
Puzzles |
● CD $21.98 |
|
|
| CLIFF BRUNER |
Bear Family BCD 15932 |
Cliff Bruner & His Texas Wanderers |
● CD $135.98 |
5 CD set with book featuring 123 tracks by this fine western
swing band recorded between 1937 and 1950 for Decca, Mercury and AYO.
Includes sidemen like Bob Dunn, Link Davis & Moon Mullican. Includes
unissued tracks and alternate takes. With lavishly illustrated 56 page
book
|
| BURNETT &
RUTHERFORD |
Document DOCD 8025 |
Complete Recordings In Chronological Order,
1926-1930 |
● CD $15.98 |
24 tracks from this fine old time fiddle and banjo duo from
Kentucky.
|
| SMILEY BURNETTE |
Cattle 203 |
Gentle Genius Of Country Music, 1934-47 |
● CD $18.98 |
21 tracks from this singer. comedian and movie star, 3
previously unissued. Among the accompanying musicians is Merle Travis.
|
| JETHRO BURNS |
Acoustic Disc 15 |
Swing Low Sweet Mandolin |
● CD $15.98 |
|
|
| SAM BUSH |
Sugar Hill 3849 |
Glamour And Grits |
● CD $15.98 |
12 tracks, 53 minutes, recommended
After years out of the
spotlight managing Emmylou Harris' band, Sam Bush recently began touring
again, often together with ex bandmate John Cowan. Now we have this strong
solo album, Bush's first since 1984. Actually this could be described as
3/4 of a New Grass Revival reunion, as Cowan and Bela Fleck are featured
prominently throughout. Bush remains very much in the forefront however,
in this collection evenly divided between instrumentals and vocal numbers.
To my ear the instrumentals are the most enjoyable, but fans of Bush's
blend of musical styles will be more than satisfied by everything here. Whayasay
opens the album featuring fine jazz influenced bluegrass picking all
around. Bush sings and plays beautifully on Bob Marley's Is It Love.
All Night Radio has the makings of an FM radio hit, with more than
a nod to Van Morrison. Bush's slide mandolin is featured on Watson
Allman and the whole group rocks out on the closer Galway. (DP)
|
| BUZ BUTLER |
B.A.C.M. 156 |
Money Ain't Everything |
● CD $14.98 |
24 tracks, recommended
Buz Butler's main claim to fame was
that he was the first artist to record the song Mule Train that was
subsequently a #1 hit for Tennessee Ernie Ford but as this collection shows
he was a very worthwhile artist. This collection of sides recorded between
1947 and 1951 is thought to be his entire output. Very little is known about
Busby but publicity material from the time indicates he was originally from
Georgia and got interested in music as a child. The material here is varied
with novelty songs, country boogies and soulful honky tonk ballads. His
version of Jimmie Rodgers Muleskinner Blues is an energetic
performance that has a lot in common with the Fendermen's hit version from
1960. There are also two fine duets with female vocalist Cass
Dailey. (FS)
BUZ BUTLER: A Little Scrap Of Paper/ A Year Of City
Livin'/ Bloodshot Eyes/ Bonaparte's Retreat/ Chew Tobacco Rag/ Coyote Blues/
Friend In The Tennessee Waltz/ Gambling Fool/ Get Goin' Engineer/ I Framed
The Wrong Picture/ It Only Cost Three Cents To Break My Heart/ Make Believe
Kisses/ Medicine Show/ Money Ain't Everything/ Mule Train/ Muleskinner
Blues/ Poison Ivy/ Rubber Ball Bounce/ Smokey Mountain Waltz/ Strike A
Match/ Ten Thousand Miles/ Tennessee Rosebud/ The One That I Want Won't Have
Me/ We Get Along So Good Together
|
| CARL BUTLER |
Bear Family BCD 16118 |
A Blue Million Tears |
● CD $21.98 |
28 tracks, recommended A fine collection of sides recorded
for Capitol and OKeh between 1950 and 1953 by this fine artist who,
surprisingly, did not have any hits of his own until the 60s. He was a
prolific songwriter and a number of his songs were hits for other artists,
most notably his good friend Carl Smith. The songs here a mix of bluegrass
and honky tonk country including many originals. Sidemen on these sessions
include Dobroists George "Speedy" Krise and Harold "Shot" Jackson, fiddler
Clarence "tater" Tate, Art Wooten, Tommy Jackson and others. Includes 28
booklet with notes by Ronnie Pugh and full discographical information. All
the songs here are making their first appearance on CD. (FS)
CARL BUTLER: Alone Without You/ Blue Million Tears/ Country Mile/ Crowded
Out/ Everything Will Be The Same/ For Fooling Around/ Heartbreak Express/
I Just Said Goodbye To My Dreams/ I Live My Life Alone/ I Need You So/
It's Wrong To Be Jealous/ Linda Lou/ My Heart Tells Me (you'll Come Back
To Stay)/ No Guarantee On My Heart/ No Trespassing/ Our Last Rendezvous/
Penny For Your Thoughts (a Nickel For A Hug)/ Plastic Heart/ River Of
Love/ Shake, Rattle & Roll/ So Close/ Stepping On My Heart/ String Of
Empties/ Vicious Lies/ Victim Of Lies/ White Rose/ You Can't Insure A
House Of Dreams/ You Plus Me
|
| CARL & PEARL BUTLER |
Bear Family BCD 15739 |
Crying My Heart Out For You |
● CD $21.98 |
12 tracks, 33 mins, recommended In 1974 and in 1976, just a
few years before Pearl Butler's death, Carl and Pearl went back into the
studio. Their hitmaking days long past, David McCormick, manager of the
Ernest Tubb Record Shops, produced 12 excellent songs released as Country
We Love an LP on the little-known Pedaca label. Bear Family has
justifiably reissued this set, which showed Carl and Pearl still in fine
voice. The backing stayed traditional, with some little known studio
musicians and the better known Opry guitarist Joe Edwards, rhythm guitar
master Ray Edenton, Willie Ackerman and D.J. Fontana on drums and Joe
Zinkan on bass. The numbers mix Carl and Pearl favorites like Don't Let
Me Cross Over and Carl's composition If Teardrops Were Pennies
(a hit for Carl Smith) along with other fine traditional material.
Someday, Bear should tackle the Butlers' Columbia classics. Until then,
this will do just fine. Fine notes by Charles Wolfe put the album into the
right perspective. (RK)
|
| THE BYRDS |
Columbia 65150 |
Sweetheart of the Rodeo |
● CD $11.98 |
One of the most important milestones of the late 60s
"Country Rock" era, this album turned many people towards the
sounds that eventually became the mainstay of the Flying Burrito Brothers,
Emmylou Harris, and beyond. Includes Clarence White on lead guitar and
some truly impressive work by Gram Parsons, the avatar of the entire
genre. Newly remastered in 1997 with eight bonus tracks
- three previously unissued songs and five rehearsal and alternate takes.
(RK)
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