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BLUES
& GOSPEL
Arthur
Williams -> Sonny Boy Williams
| ARTHUR WILLIAMS | Fedora 5013 | Harpin' On It | ● CD $15.98 |
| New album from legendary St. Louis singer and harp player
who was coached by Little Walter when he was a teenager! |
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| BIG JOE WILLIAMS | Arhoolie 315 | Shake Your Boogie | ● CD $12.98 |
| Big Joe Williamson was a remarkable performer in many ways -
unlike many of the country blues singers rediscovered by blues enthusiasts
in the 60s, Joe had never retired from music or recordings. Starting with
his first recordings in 1935 he was a regular visitor to the recording
studio up until shortly before his death in 1982 at the age of 79. He was
a brilliant performer with a unique style partly due to the use of a 9
string guitar, a creation he put together from parts of regular guitars.
His material was a mixture of traditional songs, original songs and
improvised combinations of traditional blues verses. The recordings here
are from two different sessions in 1960 and 1969 and were previously
issued on Arhoolie 1002 and Arhoolie 1053. The earlier sides are
particularly fine and intense and include powerful versions of Sloppy
Drunk Blues/ President Roosevelt/ Greystone Blues (about his recent
experiences of being arrested and sent to jail) /Mean Stepfather/ Shake
Your Boogie and others including a lovely version of the spiritual I
Want My Crown sung by Joe's wife Mary. The later recordings are almost
as good though the recordings are not as clear. Several tracks feature
some rough slide playing from Joe. It includes a couple of topical songs (The
Death Of Martin Luther King/ Army Man In Vietnam), a gospel song (King
Jesus) plus Louisiana Bound/ Throw The Boogie Woogie/ Montreal
Blues and others. Excellent sound and brief notes by Chris Strachwitz.
Country blues of the very highest order. (FS) BIG JOE WILLIAMS: Army Man In Vietnam/ Brother James/ Creole Queen/ Dirt Road Blues/ Forty Four Blues/ Greystone Blues/ I Want My Crown/ Killing Floor Blues/ King Jesus/ Louisiana Bound/ Mean Step Father/ Montreal Blues/ President Roosevelt/ Remember Way Back/ Shake Your Boogie/ She Left Me A Mule To Ride/ Sloppy Drunk Blues/ So Glad/ Take Me Out Of The Bottom/ The Death Of Dr. Martin Luther King/ Thinking Of What They Did To Me/ Throw The Boogie Woogie/ Vitamin A Blues/ Yo Yo Blues |
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| BIG JOE WILLIAMS | Blues Documents BDCD 6004 | Complete Recorded Works In Chronological Order, Vol. 2 | ● CD $15.98 |
| Continuing on from 6003 this disc features 19 tracks by Joe
recorded between 1945 and '49 plus two cuts from 1935 by vocalist and
washboard player Chasey Collins with joe on guitar and "Dad"
Tracy on one string fiddle. The sound here is a little more urban than on
the first volume - Joe is accompanied by a small group on most cuts with
sensational harp by John Lee Williamson, drummer Jump Jackson or Judge
Riley and bassist Ransom Knowling. The disc includes the incredibly rare
and superb His Spirit Lives On - a moving tribute to the recently
deceased President Roosevelt with remarkably effective washboard playing
by Clifford Dinwaddie. Also featured are both sides of his rare 1949
Bullet recording - an intense performance with Joe playing amplified
9-string guitar. Like the first disc, this is one classic performance
after another. Essential! (FS) |
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| BIG JOE WILLIAMS | Delmark 602 | Piney Woods Blues | ● CD $11.98 |
| Reissue of first full Big Joe album recorded in 1958. 11
songs and a conversation with Joe. Four cuts feature J.D. Short on guitar
or harmonica. |
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| BIG JOE WILLIAMS | Delmark 604 | Blues On Highway 49 | ● CD $15.98 |
| Long out of print on LP these recordings make a most welcome
reappearance on compact disc. Incredibly prolific in the 60s and 70s Big
Joe was rarely at a loss for a good song even if much of it was reworkings
of material he had recorded before. He was in top form on these recordings
made in Chicago in 1961 with ferocious vocals and intense instrumental
work on his unique 9 string guitar. On some tracks he is joined by veteran
bass player Ransom Knowling whose accompaniments are appropriately sympathetic. Songs include Highway 49/ Blues Left Texas/ Down In The
Bottom/ That Thing's In Town/ Tijuana Blues/ Arkansas Woman and 6
more. CD remastering is excellent. You won't go wrong with this one. (FS) BIG JOE WILLIAMS: 45 Forty-five Blues/ Arkansas Woman/ Blues Left Texas/ Down In The Bottoms/ Four Corners Of The World/ Highway 49/ No. 13 Highway/ Overhaul Your Machine/ Poor Beggar/ That Thing's In Town/ Tiajuana Blues/ Walk On, Little Girl |
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| BIG JOE WILLIAMS | Delmark 627 | Nine String Guitar Blues | ● CD $11.98 |
| Now on compact disc. 10 sides recorded in 1971 - some with
Ransom Knowling/ bass - I Got The Best King Biscuit/ I Done Stop
Hollerin'/ Stack Of Dollars/ My Baby Keeps Hanging Around/ Jump Baby -
Jump!, etc. |
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| BIG JOE WILLIAMS | Evidence 26096 | No More Whiskey | ● CD $12.98 |
| Excellent selection of 16 recordings made between 1973 and
1980 and originally issued on german L+R label. Most were recorded at
Joe's home in Crawford, Mississippi and have a relaxed informal quality.
Some of these songs will be familiar to Joe's fans but some are not as
well known - |
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| BIG JOE WILLIAMS | Fantasy 24724 | Walking Blues | ● CD $16.98 |
| 22 tracks, 75 min., recommended A country blues shouter who
recorded extensively between 1929 and 1946, Big Joe is featured here in a
1961 session originally released on two early 60s lps on
Prestige/Bluesville: "Studio Blues" and "Blues For 9
Strings". In fine form here and accompanied by his characteristically
uncharacteristic 9 string guitar, Williams performs Levee Camp Blues/
Low Down Dirty Shame/ Ain't Gonna Rain No More/ Sugar Babe/ Pearly Mae/
Highway 45/ Skinny Mama, and others. Excellent sound quality, original
liner notes, and one nice cover photo. (DH) |
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| BIG JOE WILLIAMS | GNP 0016 | Legacy Of The Blues Vol. 6 | ● CD $15.98 |
| The always superb Big Joe in fine form on this collection of
12 songs recorded for Sam Charters in 1972 - I've Been Wrong/ When I
First Left Home/ Levee Break Blues/ Lone Wolf/ Tell My Mother/ Back On My
Feet, etc. |
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| BIG JOE WILLIAMS | Oldie Blues OLCD 7004 | Malvina My Sweet Woman | ● CD $15.98 |
| CD issue of Oldie Blues 2804. 10 tracks are from 1951/52
demo recordings with very rough sound but some great music and the rest is
from a 1973 concert in Holland. |
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| BIG JOE WILLIAMS | Original Blues Classics 545 | Classic Delta Blues | ● CD $11.98 |
| Reissue of Milestone 3001 originally issued in the early
60s. Joe recorded quite extensively in the 60s and although he frequently
repeated himself he was rarely less than interesting. This one is a little
different to most as instead of his trademark self modified 9 string
guitar he plays a six string guitar which gives a somewhat different
instrumental texture to his playing. The songs are Mississippi blues
standards from the likes of Robert Johnson (Hellhound On My Trail/
Crossroads Blues), Charley Patton (Bird's Nest Bound/ Pony Blues),
Hambone Willie Newbern (Rollin' And Tumblin') and others though by
the time Joe has finished with them they are uniquely his. A nice, if not
essential, addition to your library of Big Joe recordings. (FS) |
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| BIG JOE WILLIAMS | Smithsonian Folkways 40052 | Mississippi's Big Joe Williams & His Nine-String Guitar | ● CD $15.98 |
| Reissue of 1962 Folkways album produced by Bob Koester. Some
tracks feature legendary bass player Ransom Knowling. This reissue was
remastered from original master tapes using the new HDC 24-bit mastering
process. |
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| BIG JOE WILLIAMS | Testament 5013 | Back To The Country | ● CD $11.98 |
| 21 tracks, 57 min., Recommended. This reissue of Testament
LP 2205 captures Big Joe Williams with fiddler/guitarist Jimmy Brown and
harp blower Willie Lee Harris as they recreate the sound and feel of an
old time country party. Thirteen tracks features Williams as vocalist,
including a solo effort on Mean Backstabber, the pensive The
Mood Is Rising, and two previously unissued cuts, Saturday Night
Ball/ Goin' Back Home. Brown sings on 6 cuts, including the absorbing Woody
Woodpecker, leaving Harris two opportunities (Worried And Lonesome/
Miss Ida B) to vocalize his blues. But Williams dominates the
proceedings with his booming voice and impressing guitar work, and that's
as it should be. Includes Pete Welding's original liner notes, as do other
volumes in this excellent reissue series. (JC) |
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| BIG JOE WILLIAMS | Testament TCD 6010 | These Are My Blues | ● CD $13.98 |
| One of the greatest country bluesmen recorded live at
Rockford College, Illinois in 1965. Joe is in tremendous form on a wide
variety of songs including old favorites like Baby Please Don't Go/
Mellow Peaches/ Good Morning Little Schoolgirl/ Sloppy Drunk, more recent
compositions like Man Among Men and 56 Plymouth and
even You Are My Sunshine - 17 in all. Joe's 9-string is amplified
with heavy use of tremolo giving these recordings a unique feel. |
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| BIG JOE WILLIAMS | Wolf WBJ 003 | Baby Please Don't Go | ● CD $15.98 |
| A fine cross section of the recordings of this great
Mississippi bluesman made between 1935 and '47. These tracks are already
available on Blues Documents CD 6003 & 6004 ($19.50 each) so this disc
would only be useful if you don't want to spring for two discs (believe
me, their worth it). Mind you, if you don't get this you'll miss out on
another example of Wolf's amazing proof reading. I've always admired Big
Joe's 9 string guitar playing but the liner notes here refer to "his
world famous 'G-String Guitar'" - truly a sight to behold! Sometimes
I think Wolf has Monty Python writing their sleeve notes. (FS) |
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| LEE SHOT WILLIAMS | Black Magic 9029 | Cold Shot | ● CD $16.98 |
| 12 tracks, 57 mins, recommended Fine, hard driving, uptown
soul blues. Lee is a powerful singer and is accompanied by a top notch
band featuring excellent guitar from Little Smokey Smothers and Straw Boss
James Wheeler and top notch horn work. The material is mostly covers but
Lee and his producer Dick Shurman have wisely chosen to avoid too many
obvious titles. Outstanding tracks include Ray Charles' If It Wasn't
For Bad Luck, Ray Agees' Love Is A Cold Shot, Albert King's Drowning
On Dry Land plus some recent compositions from Bob Jones. The attempt
at a smoochy soul ballad Neither One Of Us doesnt' quite come off
but all the rest is fine indeed. If you like Stac period Albert King or
Checker period Little Milton this is right up your alley. Packaging is
real classy using a digipack which is vastly superior to jewel cases - I
wish more labels would take this route. (FS) |
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| LEE SHOT WILLIAMS | Ecko 1006 | Hot "Shot" | ● CD $15.98 |
| 11 tracks, 50 minutes, very good. Shot is mostly known for his
blues, singing in Detroit & Chicago with such greats as his cousin
Smokey Smothers, Earl Hooker & Magic Sam, but this set finds Shot in a
pure Southern Soul bag. Produced by Williams & John Ward, highlights
include a You've Got To Try Me (great guitar solo), Make Me
Holler, a remake of his hit I Like Your Style, & a great
tune called I'll take The Risk which not only starts the disc off
in fine form, but also closes it (not listed on the cover) in a re-mix..
(GM) |
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| LESTER WILLIAMS | Specialty 7037 | I Can't Lose With The Stuff I Use | ● CD $15.98 |
| 25 tracks, 62 min., recommended. First time ever complete
Specialty collection of this fine Texas guitarist/ vocalist, who was
inspired by the T-Bone Walker school of twang. Williams had a raunchy
R&B style which brought him only fleeting fame with the title cut
circa 1952, sandwiched between his earlier Macy recordings and his finest
efforts for Duke in 1954. This set is made up almost exclusively of
alternates and unissued gems, as Williams enjoyed only four releases on
Specialty. Many are nice slow blues ballads punctuated by four different
tenor sax sidemen over a period of two years. Johnnye Mae Brown tinkles
around on piano while "Yogi" Adams slaps bass, and Luther B.
Taylor, Jr. punishes drums. Modest notes, but high quality remastering by
Kirk Felton at Fantasy. (OLN) |
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| ROBERT PETE WILLIAMS | Arhoolie 394 | Vol 1 - I'm Blue As A Man Can Be | ● CD $12.98 |
| 15 tracks, 69 mins, essential. See next review. ROBERT PETE WILLIAMS: Angola Special/ Church On Fire #2 (*)/ Come Here Baby/ Help Me On My Way(*)/ I'm Blue As A Man Can Be/ Just Tippin' In (*)/ Levee Camp Blues/ Louise/ Motherless Children Have A Hard Time/ Pardon Denied Again (*)/ Please Lord/ So Much Is Happenin' In This Wicked World/ Texas Blues/ This Wild Old Life (*)/ Two Wings (*)/ Up And Down Blues |
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| ROBERT PETE WILLIAMS | Arhoolie 395 | Vol 2 - When A Man Takes The Blues | ● CD $12.98 |
| 14 tracks, 72 mins, essential. Discovered in the Louisiana
State Penitentiary in 1959 by folklorist Harry Oster, Robert Pete Williams
was one of the greatest and most unique blues discoveries of the period.
He was an incredibly moving singer and a totally original guitar player
whose modal technique and eccentric rhythm bears little resemblance to conventional
blues guitar techniques but is eminently suitable to his
free-form and often improvised vocal lines. Most of the material on these
two discs were recorded by Oster in 1959 and 1960 when Robert was still in
jail along with a few tracks recorded for Chris Strachwitz in 1970. Half
of the recordings have never been issued before including his versions of
a number of traditional and original gospel songs intended for a gospel
album which never materialized. Even when singing familiar material like Two
Wings, Louise or Motherless Children Have A Hard Time
the material becomes uniquely his own. Most of the songs are originals and
were often improvised on the spot including a couple about his life in
Angola Pardon Denied Again and Levee Camp Blues that will
not leave you unmoved. His ultimate masterpiece Prisoner's Talking
Blues is not here but is promised for a future release. He plays both
six and 12 string guitar and the second volume includes an 11 minute
monologue in which he talks about his life, the inspiration for his music
and how he ended up in prison for murder. Unfortunately, this ends too
soon, as the tape ran out. First volume has interesting, if somewhat
pompous, notes by Henry Kaiser and the second has notes by Chris
Strachwitz. Robert Pete made beautiful, moving and challenging music - no
easy listening here. If you can only get one then volume 1 has a slight
edge but they are both essential releases. (FS) ROBERT PETE WILLIAMS: All Night Long (*)/ Blue In Me/ Death Comes Creepin' In Your Room (*)/ Dyin' Soul/ Hot Springs Blues (Peetie Wheatstraw Blues) (*)/ I Got The Blues So Bad/ I Had Trouble (*)/ I Want To Die Easy (*)/ Robert Pete Williams Monologue (*)/ Santa Fe Blues/ Sinner Don't You Know (*)/ This Train Is Heaven Bound (*)/ When A Man Takes The Blues (*)/ Wife And Farm Blues (Take 2) (*) |
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| ROBERT PETE WILLIAMS | Blues Collection 157 832 | Santa Fe Blues | ● CD $13.98 |
| ROBERT PETE WILLIAMS | Original Blues Classics OBCCD 553 | Free Again | ● CD $11.98 |
| 10 tracks, 45 min., recommended. Reissue of Prestige 7808/
Bluesville 1026 by the always great (and always primitive) Robert Pete
Williams. I assume from Dr. Harry Oster's notes that these were recorded
after the late 50's sessions that surfaced on Folklyric. Williams was a
fantastic blues improvisor and inimitable guitarist, not to mention a
wierd character, and many of these songs relate to "his repressed
desire to wander". Free Again/ Rolling Stone/ I've Grown So Ugly/
Death Blues and more. One of his best. (MB) |
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| ROBERT PETE WILLIAMS | Storyville 8001 | Blues Masters, Vol. 1 | ● CD $15.98 |
| 14 tracks, 61 min., recommended. This reissues Storyville LP
225, plus 4 songs. Williams plays 6-string (often bottleneck) and
12-string guitar, spinning eccentric yarns similar to Hopkins and Hooker.
His stark vocal utterances, often ending in an ironic laugh, are usually
followed by unpredictably complex solo responses. His distinctive Meet
Him Over In Paradise/ It's Gotta Be Jelly/ I Need To Be Loved/ Blues Leave
Me Alone are outstanding examples, but others are effective, even when
backed by Big Joe Williams' kazoo. This 1972 session stands up to earlier
works on Arhoolie and Bluesville, and is worth having just for the lengthy
Talking Blues, a convincing narrative about prison, religion,
hoodoo and Harry Oster! (MB) |
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