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BLUES
& GOSPEL
Saffire ->
Ollie Shepard
| SAFFIRE KEN SAYDACK E.C. SCOTT SON SEALS THE SELAH JUBILEE SINGERS THE SENSATIONAL NIGHTINGALES TOM SHAKA |
OMAR SHARIFF CHARLIE SHAVERS EDDIE SHAW ROBERT SHAW OLLIE SHEPARD |
| SAFFIRE | Alligator 4780 | The Uppity Blues Women | ● CD $13.98 |
| SAFFIRE | Alligator 4796 | Hot Flash | ● CD $13.98 |
| The uppity blues women strike again with 16 sassy originals
and classics like Sloppy Drunk/ Why Don't You Do Right. |
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| SAFFIRE | Alligator 4811 | Broadcasting | ● CD $13.98 |
| SAFFIRE | Alligator 4826 | Old New Borrowed & Blue | ● CD $13.98 |
| KEN SAYDACK | Delmark 725 | Foolish Man | ● CD $14.98 |
| Chicago keyboard player featured on many sessions with the
first album under his own name. |
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| E.C. SCOTT | Blind Pig 5019 | Come Get Your Love | ● CD $14.98 |
| SON SEALS | Alligator 4703 | Son Seals Blues Band | ● CD $13.98 |
| Tough set with rhythm section accompaniment only - |
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| SON SEALS | Alligator 4708 | Midnight Son | ● CD $13.98 |
| Son's first album with horns - |
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| SON SEALS | Alligator 4712 | Live & Burning | ● CD $13.98 |
| 9 tracks, 45 min., recommended. Energetic live set recorded
at Wise Fools Pub in Chicago, 1978. Son is joined by A.C. Reed on sax and
Lacy Gibson on guitar - I Can't Hold Out/ Funky Bitch/ Help Me
Somebody/ Last Night/ Call My Job, etc. |
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| SON SEALS | Alligator 4720 | Chicago Fire | ● CD $13.98 |
| His note-bending guitar style is more or less borrowed from
B.B. King by way of Albert, but that doesn't mean Son Seals isn't his own
man. Still, if you wanted to prove what a great bluesman he is, you'd
probably pick something off the excellent Midnight Son or Live
And Burning albums before this 1980 reissue. The 9 songs here still
make for solid blues listening, especially Landlord At My Door/ Crying
Time Again/ Leaving Home, all composed by the guy on the cover. (JC) |
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| SON SEALS | Alligator 4738 | Bad Axe | ● CD $13.98 |
| SON SEALS | Alligator 4798 | Living In The Danger Zone | ● CD $13.98 |
| Women. When will they treat Mr. Seals right? Not on this
album, which is his sixth for Alligator. The sure-fingered Chicago blues
guitarist covers familiar territory: woman as temptress, as deceiver, as
danger, as obsession, as annoyance, as schemer. It's all here. He throws
in a woman-as-refrigerator metaphor for good measure! Seals, who wrote
five of the eleven songs and co-produced, is a fine if somewhat limited
blues singer, but as always his guitar is king. If Tell It To Another
Fool or Ain't That Some Shame doesn't convince, Bad Axe
is sure to. (JC) |
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| SON SEALS | Alligator 4822 | Nothing But The Truth | ● CD $13.98 |
| SON SEALS | Alligator 4846 | Spontaneous Combustion | ● CD $13.98 |
| THE SELAH JUBILEE SINGERS | Document DOCD 5499 | Complete Recorded Works, Vol. 1 : 1939-1941 | ● CD $14.98 |
| 24 tracks, 69 min., highly recommended. According to gospel
expert Ray Funk, who wrote the liner notes here, the Selahs were the
preeminent New York jubilee quartet of the 30's. They had been together
for over a decade before they actually recorded, so their style, which
focuses on slow harmony singing, owes a greater debt to the groups of the
20's and early 30's than it does to the syncopated sound of groups like
the Golden Gate Quartet. Featured numbers here include Royal Telephone,
How Happy I Am, I Want Jesus to Walk Around My Bedside, They
Kicked the Devil Out of Heaven, I'll Fly Away, Leak in the
Building, How Will You Feel When You Come Out of the Wilderness,
and Have You Any Time for Jesus. Soulful and often solemn music,
beautifully rendered by this important early quartet. And music that I
wouldn't miss for the world, but do note that the listening does get a
little rough on a few tracks. (DH) |
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| THE SELAH JUBILEE SINGERS | Document DOCD 5500 | Complete Recorded Works, Vol. 2 : 1939-1945 | ● CD $14.98 |
| 23 tracks, 65 min., highly recommended Volume two of
Document's Selah retrospective finds leader Thurmon Ruth carefully
strengthening his group's sound by replacing departing members with
outstanding veterans of other polished ensembles. New members during this
period include bass J. B. Nelson and former members of the Norfolk
Jubilees, baritone Melvin Colden and tenor Norman "Crip" Harris.
So, the early numbers here - like I Saw the Light, Just a Closer
Walk with Thee, Let Us All Run to Jesus, and King Jesus Is a
Rock in the Weary Land - are solid examples of jubilee harmony, but
the latter part of the program - featuring Let the World See Jesus in
My Life, Jesus Prayed Just Before He Died, I'll Fare Better
in That Land, and When Was Jesus Born - is both stronger and
more complex. Even with the variable sound quality that such a set as this
presents, this is definitely not a disc to miss. (DH) |
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| THE SENSATIONAL NIGHTINGALES | MCA Special Products MCAD 22044 | The Best Of The Sensational Nightingales | ● CD $8.98 |
| The best Nightingales material features the hard gospel lead
of the amazing Julius Cheeks, a man who beat Wilson Pickett to his sound
by 10 years. This reissue of Peacock LP #137 contains some
earth-shattering vocal shouting from Cheeks, but not all of it - Cheeks
left in 1960. Listen to Burying Ground/ Standing In The Judgement
and just try not to be impressed. Other wonderful songs include the hit To
The End, a startling version of A Closer Walk With Thee/ Never Said
A Word/ I Want To Go. The lack of any notes or photos is regrettable,
but this is essential gospel music and not to be missed. (JC) |
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| TOM SHAKA | Crosscut 11025 | Hit From The Heart | ● CD $16.98 |
| Vocalist plays the blues on harmonica & guitar |
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| OMAR SHARIFF | Arhoolie 365 | The Raven | ● CD $12.98 |
| Singer/ piano player Omar Shariff, who previously went under
the name of Dave Alexander recorded two LPs for Arhoolie in 1972. Now,
some 20 years later, he steps into the studios to record again for the
same label. This 17 track disc features 10 new recordings along with 7 of
the best of those earlier recordings. Shariff is a fine singer and player
with an expressive husky vocal style and is also a fluent piano player who
can turn out a neat boogie as on Omar's Boogie or The Rattler.
He is also a good writer and the title song, a soul flavored blues, is for
and about his younger brother who was beaten to death in Oakland in the
early 70s. There are other good originals like House Built By The
Blues/ San Francisco Can Be Such A Lonely Town/ The Hoodoo Man, etc.
He is accompanied on most tracks by a bass player and drummer. His version
of Jerry Lee Lewis's Great Balls Of Fire is fun though not
particularly special and the cocktail lounge ballad This Is Love is
pretty expendable. Still an enjoyable set from a fine performer who has
been off the scene for too long. (FS) OMAR SHARRIFF: Blue Tumbleweed/ Cold Feeling/ Fillmore Street Boogie/ Great Balls Of Fire/ House Built By The Blues/ Jimmy, Is That You?/ Just A Blues/ Love Is Just A Fool/ Omar's Boogie/ San Francisco Can Be Such A Lonely Town/ So You Want To Be A Man/ Stranded In St. Louis/ Suffering With The Lowdown Blues/ The Hoodoo Man/ The Rattler/ The Raven/ This Is Love |
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| CHARLIE SHAVERS | Timeless CBC 025 | Charlie Shavers & The Blues Singers | ● CD $15.98 |
| 23 tracks, 1938/39, remastered by John R.T. Davies -
vocalists include Trixie Smith, Grant & Wilson, Rosetta Howard,
Alberta Hunter and others. |
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| EDDIE SHAW | Evidence 26028 | Movin' And Groovin' Man | ● CD $12.98 |
| 10 tracks, 39 min., recommended. Excellent and powerful set
by this fine Chicago singer and sax player, originally on Isabel LP
900.514. Mostly original songs - Shaw sings and plays very well and is
accompanied by a fine band featuring some stunning guitar by Melvin
Taylor, plus a guest appearance by Eddie "Cleanhead" Vinson. |
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| EDDIE SHAW | Wolf 120.879 | Home Alone | ● CD $14.98 |
| EDDIE SHAW & THE WOLF GANG | Wolf 120.866 | The Blues Is Good News - Chicago Blues Session Vol. 20 | ● CD $14.98 |
| ROBERT SHAW | Arhoolie 377 | The Ma Grinder | ● CD $12.98 |
| 17 tracks, 71 mins, essential. Robert Shaw was one of the
last of the great Texas piano players - member of an itinerant cluster of
pianists loosely known as "the Santa Fe group" which included
musicians like Pinetop Burks, Rob Cooper, Buster Pickens and many other
unrecorded performers. When Shaw was discovered by Mack McCormick in 1963
running a food market and barbecue stand in Austin, Texas and playing just
for fun he had all his faculties intact. Listening to him is to travel
back in time to the 1930s when the style he kept alive was at its zenith.
McCormick recorded him and 11 tracks were subsequently issued on two
Arhoolie LPs. These are included here along with six previously unissued
songs cut by Chris Strachwitz in 1973 and '77. Shaw's singing and playing
is a joy to listen to throughout whether it's a stompin' instrumental like
The Cows, a long introspective version of Black Gal or a
bawdy romp like Whores Is Funky. I have very fond memories of
Robert when he called me up out of the blue to let me know that he was
taking a bus to California to attend the 20th anniversary celebration for
Arhoolie Records and its owner Chris Strachwitz to show his appreciation
to Chris for having done so much to bring his music to a wider audience.
Wonderful music by a wonderful man. If you like piano blues you most
certainly want to give this a listen. (FS) ROBERT SHAW: Black Gal/ Fast Santa Fe (Bear Cat)/ Going Down To The Gulf/ Groceries On My Shelf (Piggly Wiggly)/ Hattie Green/ Here I Come With My Dirty, Dirty Duckings On/ Jim Nappy/ Mobile & K. C. Line/ People, People/ Put Me In The Alley/ Saturday Night Special/ She Used To Be My Baby (Ma Grinder #2)/ The Clinton/ The Cows/ The Fives/ The Ma Grinder/ Whores Is Funky |
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| ROBERT SHAW | Document 1014 | The 1971 Party Tape | ● CD $14.98 |
| 24 tracks, 74 mins, recommended Delightful set of performances by this outstanding Texas singer and piano recorded at a house party at Ben Conroy's home in January, 1971. Shaw, who died in 1985, was one of the last of the great Texas piano players - member of an itinerant cluster of pianists loosely known as "the Santa Fe group" which included musicians like Pinetop Burks, Rob Cooper, Buster Pickens and many other unrecorded performers. Shaw was an immensly engaging performer and this informal set capture him in a relaxed and loose mood performing a wide range of material from his repertoire - Piggly Wiggly/ Black Gal/ Hattie Green #1/ Jim Nappy/ melody In E Flat/ Wood In My Woodhouse, etc. Sound quality is generally very good though the continual background chatter does get annoying. Set comes with an excellent 20 page booklet with lots of black and white and color photos from the session, a complete discography and an in depth discussion of Shaw's repertoire. (FS) |
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| OLLIE SHEPARD | Document DOCD 5434 | Complete Recorded Works, Vol. 1 : 1937-1939 | ● CD $14.98 |
| OLLIE SHEPARD | Document DOCD 5435 | Complete Recorded Works, Vol. 2 : 1939-1941 | ● CD $14.98 |
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