| ETTA BAKER |
Rounder 2112 |
One Dime Blues |
$15.98 |
A lovely collection of mostly instrumental guitar tunes from
this 78 year old performer from North Carolina. Etta's music first came to
the attention of blues lovers with a half dozen highly regarded
performances on the long out of print collection on Tradition "Instrumental
Music Of The Southern Appalachians". A number of circumstances
including family tragedies kept Etta off the music scene for many years.
Her playing is in the traditional free flowing finger picked East Coast
style, sometimes called Piedmont blues, which is also heard in the playing
of musicians like Elizabeth Cotten and Blind Boy Fuller. The material is
mostly traditional tunes like One Dime Blues/ Lost John/ Going Down The
Road Feeling Bad/ Spanish Fandango/ Crow Jane/ Police Dog Blues and
others. The feel is mostly gentle but Etta also plays more intense blues
on the only vocal here, her own Broken Hearted Blues and on an
instrumental version of the Ray Charles song But On The Other Hand Baby.
On John Henry she plays some nice guitar and two cuts feature her
on banjo with her sister Cora Phillips on guitar. Very fine music. (FS)
ETTA BAKER: Alabama Wagonwheel/ Broken Hearted Blues/ Bully Of The Town/
But On The Other Hand Baby/ Carolina Breakdown/ Crow Jane/ Dew Drop/ Going
Down The Road Feeling Bad/ Going To The Racetrack/ John Henry/ Knoxville
Rag/ Lost John/ Marching Jaybird/ Near The Cross I Watch And Pray/ Never
Let Your Deal Go Down/ One-Dime Blues/ Police Dog Blues/ Railroad Bill/
Round My Back Door Selling Coal/ Spanish Fandango
|
| LAVERN BAKER |
Atlantic 90980 |
Lavern Baker Sings Bessie Smith |
$10.98 |
Reissue of Atlantic 1281 featuring Lavern doing
individualistic interpretations of 12 Bessie Smith classics (Gimme A
Pigfoot/ On Revival Day/ I Ain't Gonna Play No Second Fiddle/ Empty Bed
Blues/ Nobody Knows You When You're Down And Out/ Young Woman's Blues,
etc). She is accompanied by an all star group of jazz musicians including
Buck Clyton/ tpt, Paul Quinichette/ ts, Nat Pierce/ pno, Danny Barker/ gtr
and others.
|
| MARCIA BALL |
Rounder 3131 |
Blue House |
$15.98 |
First album in five years from Austin blues favorite.
|
| MARCIA BALL |
Rounder 3151 |
Let Me Play With Your Poodle |
$15.98 |
13 tracks, 55 min., recommended. Born in Texas (Orange) and
raised in Louisiana (Vinton), 48 year old singer/ pianist Marcia Ball
Fowler has been recording since 1978. With this new CD, we get more of her
Crescent city piano playing, especially on Tampa Red's "Let Me Play
With Your Poodle" (ala Professor Longhair), Clarence Joseph Garlow's
"Crawfishin'" (with Mark Kazanoff on baritone sax) and Delbert
Ross McClinton's "Can't Trust My Heart". The soul-type tracks
are particularly strong, including her version of Eddie & Ernie's
"I Still Love You", Ed Harris-George Jackson's "I'm Just
Your Prisoner", and her very own "For The Love Of A Man",
done in the classic Laura Lee style with an outstanding guitar solo by
Clarence Hollimon. For more about Marcia Ball, visit her web site at
www.marciaball.com. (EL)
MARCIA BALL: American Dream/ Can't Trust My Heart/ Crawfishin'/ For The
Love Of A Man/ How Big A Fool/ I Still Love You/ I'm Just A Prisoner/ Let
Me Play With Your Poodle/ Louisiana 1927/ Something I Can't Do/ The Right
Tool For The Job/ The Story Of My Life/ Why Women Cry
|
| TOMMY BANKHEAD |
Fedora 5017 |
Message To St. Louis |
$15.98 |
New album from veteran St. Louis singer/ guitarist.
|
| BUDDY BANKS |
Blue Moon BMCD 6015 |
The Complete Recordings, 1945-49 |
$13.98 |
20 tracks of swinging R&B from Los Angeles featuring
tenor saxist Banks with his sextet including cuts backing vocalists Marion
Abernathy, Fluffy Hunter and Bixie Crawford.
|
| L.V. BANKS |
Wolf 120.887 |
Let Me Be Your Teddy Bear |
$15.98 |
|
|
| BARBECUE BOB |
Document DOCD 5048 |
The Complete Recordings In Chronological
Order, Vol. 3 |
$15.98 |
19 tracks, 61 mins, recommended
The third of three discs
featuring the complete recordings of this superb Georgia singer and 12
string guitarist. This set presents 19 songs recorded between November,
1929 and December 1930 including four songs as a member of the Georgia
Cotton Pickers with Curley Weaver (vocal/ guitar) and Buddy Moss (hca).
Although there is not a great deal of variety in Bob's music he is rarely
boring with his distinctive and very expressive voice and his masterful 12
string guitar playing sometimes playing very melodic slide. This disc also
features the wonderful comic dialogue between Bob and his brother Charlie
(who also recorded as Charlie Lincoln) called Darktown Gambling
which also includes musical snatches. Good sound and notes by Chris Smith.
(FS)
BARBECUE BOB: Atlanta Moan/ Darktown Gamblin' - Pt. 1 (the Crap Game)/
Darktown Gamblin' - Pt. 2 (the Skin Game)/ Doin' The Scraunch/ It Just
Won't Quit/ Jambooger Blues/ Monkey And The Baboon/ New Mojo Blue/ She
Moves It Just Right/ She Shook Her Gin/ Spider And The Fly/ Tellin' It To
You/ Twistin' That Stuff/ We Sure Got Hard Times/ Yo Yo Blues No. 2/ THE
GEORGIA COTTON PICKERS: Diddle-da-diddle/ I'm On My Way Down Home/ She
Looks So Good/ She's Coming Back Some Cold Rainy Day
|
| BARBECUE BOB |
Yazoo 2005 |
Chocolate To The Bone |
$15.98 |
Atlanta's Barbecue Bob Hicks was one of the most popular
bluesmen of the late 20's, recording 68 sides before his death in 1931.
Bob had a singular style that is summed up on the first of 20 cuts here - Motherless
Chile Blues shows off his vigorous, almost hyperactive strumming (also
used on It's Just Too Bad and others), along with his unique
"breaking" voice. Yo Yo Blues features some unusual
yodelling, and Hicks really whoops it up behind Nellie Florence on her Jacksonville
Blues. His mastery of the Delta style shines on Atlanta Moan
and Barbecue Blues, a catalog of blues themes and guitar
techniques. We even get two unissued hokum sides, along with familiar
numbers MS. Heavy Water Blues/ When The Saints Go Marching In/ Poor
Boy/ Diddle Da Diddle/ Chocolate To The Bone. 6 cuts feature Curley
Weaver and Buddy Moss. An outstanding collection with clear sound and
detailed notes - superb even by Yazoo's high standards. (MB)
BARBECUE BOB: Atlanta Moan/ Barbecue Blues/ Black Skunk Blues/ California
Blues/ Chocolate To The Bone/ Diddle-Da-Diddle/ Ease It To Me Blues/ Going
Up The Country/ Good Time Rounder/ It's Just Too Bad/ Jacksonville Blues/
Mississippi Heavy Water Blues/ Motherless Chile Blues/ Poor Boys A Long
Ways From Home/ She Shook Her Gin/ She's Coming Back Some Cold Rainy Day/
Spider And The Fly/ Twistin' Your Stuff/ When The Saints Go Marching In/
Yo Yo Blues
|
| BARKIN' BILL |
Delmark 672 |
Gotcha |
$14.98 |
14 tracks, 60 min, good
This is the 2nd CD by this
Mississippi born, St. Louis raised, Chicago based singer. This
baritone-voiced gentleman is described as influenced by Joe Williams,
Percy Mayfield, Wynonie Harris & Brook Benton. The styles are
eclectic, but unfortunately the voice barks more than croons or jumps.
Backing by the Delmark crew led by Steve Freund. Mostly well-chosen
covers, incl. Earl Hooker's Blue Guitar, Jimmy Witherspoon's No
Rollin' Blues, & Little Johnny Taylor's Down The Line. (GM)
BARKING BILL: As Long As I Have You/ Blue Guitar/ Down The Line/ Get Your
Kicks/ Hot Tomato/ I Got What I Wanted/ I Love To Love You/ No Rollin'
Blues/ One Kiss/ Someday After Awhile/ Sufferin' Mind/ Too Fine For Cryin'/
What Makes These Things Happen To Me/ You're Too Much
|
| BARRELHOUSE CHUCK |
The Sirens 5004 |
Prescription For The Blues |
● CD $15.98 |
16 tracks, 45 min, recommended
New recordings by pianomeister Chuck, mostly solos, but 3 with fellow-pianist Erwin Helfer.
Chuck's solo playing & singing are fine as usual, with nods to Little
Brother Montgomery, Leroy Carr & Sunnyland Slim (a particularly fine version
of Johnson Machine Gun, as well as beautiful version of The
Mississippi Shieks' Sitting On Top Of The World (credited to Howlin'
Wolf). Each of the 3 duets are presented in a different way - a straight
duet on the original tune Nutty Boogie, Chuck singing & Helfer
playing the title track, but my fave on the set is a version of Ain't
Nobody's Business with Helfer on piano & Chuck on Farfisa!! (GM)
|
| DAVE BARTHOLOMEW |
Bayou 1005 |
The Very Best Of Dave Bartholomew |
● CD $18.98 |
Great collection of 32 tracks - mostly from the 50s -
classic New Orleans blues and R&B - Jump Children/ Carnival Day/
Country Boy/Would You/ No More Black Nights/ Messy Bessy/ The Ice Man/
Hard Times/Who Drank My Beer/ Nickel Wine/ I'm An Old Cowhand From A Blues
Band/ The Monkey/ Turn Your Lamp Down Low, , etc.
|
| DAVE BARTHOLOMEW |
Classics 5002 |
The Chronological Dave Bartholomew,
1947-1950 |
$14.98 |
19 tracks, 51 mins, highly recommended
New Orleans producer,
arranger, singer, trumpet player, and talent scout Bartholomew is best
remembered for sides he did with Fats Domino on Imperial, but he also
recorded fairly extensively under his own name. This set features 19 sides
recorded between 1947 and 1950. Dave was a good, if not great vocalist and
could blow some breath-taking solos. Many star New Orleans
instrumentalists passed through Dave's band during this period including
Frank Fields (bass), Earl Palmer (drums), Salvador Doucette (piano),
Clarence Hall (tenor), and Ernest McLean (guitar), among others. The music
here is a mixture of instrumentals and vocals and includes Dave's great
promotional disc for a local brewery Good Jax Boogie and a couple
of songs that became New Orleans R&B standards - Country Boy
and Carnival Day. Music is great, sound is excellent and there are
brief notes and full discographical data but why only 19 cuts? They could
have easily given us another half a dozen more more tracks. (FS/OLN)
|
| DAVE BARTHOLOMEW |
Classics 5169 |
The Chronological Dave Bartholomew,
1952-1955 |
● CD $14.98 |
23 tracks, 55 minutes, highly recommended
Dave Bartholomew
seems to be more well-known for his work behind the scenes as a songwriter,
arranger etc, especially with Fats Domino and Lloyd Price. He is thoroughly
fantastic in his own right and absolutely essential to check out. The cuts
on this CD range from smokey cool blues to hot R&B with every cut on this
particular collection being superb. You can also tell that Dave Bartholomew
has/had a great sense of humor as exhibited in playful tracks like When
The Saints Go Marching in Boogie/ An Old Cowhand From A Blues Band, and,
particularly, the raunchy Ice Man. Shimp and Gumbo puts the
exclamation point on this collection as a wonderful reminder that all this
good Blues and R&B is being done right in the heart of New Orleans. (JM)
DAVE BARTHOLOMEW: Air Tight/ Another Mule/ Can't See for
Looking/ Cat Music/ Every Night, Every Day/ Four Winds/ Got You on My Mind/
I Want to Be with Her/ Ice Man/ Jump Children/ Kiss Me Baby/ Love Is So Low
Down/ No More Black Nights/ Old Cowhand from a Blues Band/ Shout Sister
Shout/ Shrimp and Gumbo/ Snatchin' Back/ Stardust/ Texas Hop/ That'll Get
It/ When the Saints Go Marching in Boogie/ Would You/ You Got a Time
|
| JIMMY BEASLEY |
Ace CDCHD 872 |
Jimmy's House Party |
● CD $18.98 |
30 tracks, 76 mins, recommended
A considerably expanded
version of the old Ace LP 190 featuring 30 sides recorded for the Modern
label in the mid/ late 50s by this fine singer/ piano player. Although
Jimmy, originally from Kansas City, was based in California, many of these
tracks were recorded in New Orleans with top New Orleans sidemen. The
combination of Jimmy's vocal style and the band results in a great
similarity to Fats Domino though Jimmy didn't quite have the magic to
emulate Fats's success. But nevertheless this is an enjoyable collection of
romping R&B, tough slow blues and some nice R&B versions of standards. (FS)
|
| BEAU JOCQUE
& ZYDECO HIROLLERS |
Rounder 2120 |
Beau Jocque Boogie |
● CD $15.98 |
14 tracks, 63 min., recommended
In the zydeco world, it's
quite a feat to create a new sound that will please both youngsters and
traditionalists. But singer/ accordionist Beau Jocque has done it,
combining hard soul vocalizing with hip-twitching bayou beats, adding more
than a pinch of old style rock 'n' roll. He credits everything from rap to
John Lee Hooker as inspiration, funneling it all into an authentic
dancehall mold. As an accordionist, his skills are basic, though ideally
suited to the hypnotic groove-making of Richard's Club/ Shelly Shelly/
Beau Jocque Boogie and the voodoo-filled Damballah. The band
gets lots of mileage out of its "double kicking" beat, tossing
in a cajun two-step, a waltz, and even a slow blues for variety. Get it,
then watch for more great things from this big guy. (MB)
|
|
BEAU JOCQUE
& ZYDECO HIROLLERS |
Rounder 2129 |
Pick Up On This |
$15.98 |
12 tracks, 61 min., recommended
It wasn't long ago this I
gave high marks to Jocque's debut disc - the fact that he is back so soon
bodes well for this "new Zydeco" accordionist. In front of his
hard rockin' band, Beau Jocque's gruff vocals and muscular, bottom-heavy
grooves may make him South Louisiana's answer to Bruce Springsteen! As
with his first CD, honors go to the menacing, minor key numbers Give It
To Me/ Mardi Gras Blues/ Pick Up On This, but there's no arguing with
the traditional romps Don't Tell Your Mama/ Hucklebuck or the John
Lee Hooker tribute Zydeco Boogie Woogie. Serious party fun from the
land of bon temps. (MB)
|
|
BEAU JOCQUE
& ZYDECO HIROLLERS |
Rounder 2134 |
Recorded Live |
$15.98 |
13 tracks, 66 mins, recommended
Energetic set of
performances from one of the top up and coming bands in the zydeco biz.
Beau Jocques is not a great accordion player but he does a good job and
his growling vocals are quite effective. The band lays down a great groove
thanks to the solid drum and rubboard work from Steve "Skeeta"
Charlot and Wilfred "Caveman" Pierre respectively. The band
features two guitarist - Ray Johnson and Joseph "Cookie" Chavis
who often have a rock feel in their solos but don't let them get too far
away from the ensemble sound so important to this music for dancing. And
dancing is just what you'll want to do when your hear the funky rhythms.
Songs are mostly originals along with a couple of covers including an
unexpected version of Lightnin' Hopkins' Mr Charlie. (FS)
|
|
BEAU JOCQUE
& ZYDECO HIROLLERS |
Rounder 2150 |
Gonna Take You Downtown |
$15.98 |
12 tracks, 56 min., recommended
With so many mediocre Zydeco
albums out there, it's pure pleasure to find this superior issue. On his
4th Rounder release, Jocque offers up propulsive, funky, dance floor
grooves and puts some soul into the mix. Anyone who can cover War's Cisco
Kid and Dylan's Knockin' On Heaven's Door and come away looking
cool is someone to respect. And to make things better, the album is
comprised mostly of such impressive originals as It's So Easy When
You're Breezin' and Kinder 2 Step. A pleasure. (JC)
|
|
BEAU JOCQUE
& ZYDECO HIROLLERS |
Rounder 2158 |
Check It Out, Lock It In, Crank It Up! |
$15.98 |
Recommended
High powered zydeco from the South Louisiana accordion
ace & his Hi-Rollers. Most tunes are originals, including
both zydeco & "party dip" mixes of Slide & Dip
It, plus the 1st zydeco cover I've ever heard of archie Bell & The
Drell's classic Tighten Up, even versions of Keep A Knockin'
& Tequila! Plus Like A Pot Of Neckbones/ She Wants To Sell
My Monkey/ Hi Rollers Ya'll (GM)
|
| ELDER CHARLES BECK |
Document DOCD 5524 |
In Chronological Order, 1946-1956 |
$15.98 |
22 cuts by Beck plus 6 bonus cuts featuring 4 tracks from
1950 by Rev. J.B. Crocker and 2 from 1951 by Rev. M.E. Holmes.
|
| ROBERT BELFOUR |
Fat Possum 80336 |
What's Wrong With You |
$12.98 |
9 tracks, 41 mins, highly recommended
Although the blurb
from Chris Morris that "it's difficult to distinguish Belfour's music
from vintage blues records of the 20s and 30s" is going a bit far,
Belfour is certainly a most worthwhile throwback. Originally from the
Mississippi hill country his music has the insistent rhythmic intensity of
fellow hill country performers like Fred McDowell, Jessie Mae Hemphill or
R.L. Burnside. His playing is accomplished without being flashy and
primarily provides a rhythmic underpinning to his vocals as well. Although
he doesn't have a wonderful voice he sings with a dark and passionate
conviction - mostly original compositions based around familiar blues
themes. The couple of non-original songs become pretty much his own.
Belfour is only 60 years old so it will interesting to hear what else he
comes up with. The most interesting new old country blues performer to
come along in years and the best Fat Possum release in a long time. (FS)
|
Back To Blues Index
|